15 Questions To Ask Your Wedding DJ Before You Hire Them from RI Wedding DJ

Earlier today on Pinterest, I saw this great info gram from Premier Event DJs in Georgia. I see many Wedding DJ infograms and some are better than others. I think this one has merit and wanted to share it with you. I thought it might be helpful to you if I went ahead and answered therm as if you were asking me the questions yourself.

15 questions to ask your wedding dj by Rhode Island Wedding DJ

15 Questions To Ask Your Wedding DJ Before You Hire Them

1) I started as a DJ in 1980, believe it or not! I was not professionally performing as a Wedding DJ all of the years since, but have been a full-time Wedding DJ the last three.

2) About 80% of my DJ business is dedicated to being a Wedding DJ. The other 20% is performing as a Party DJ for Sweet Sixteens, Graduations, Birthdays and Reunions.

3) Yes I have many references from past clients who have loved my Wedding DJ and Party DJ performances! Just ask and I will connect them to you or you can view some reviews right now. I have some videos but they are mostly from Sweet Sixteens. You are welcome to view them as well.

4) I am fortunate that when I started as a Wedding DJ, we all were ‘traditional’ DJs who seamlessly beat-match. Today I am more known for my skills and experience as a professional Wedding MC in New Jersey, New York and Pennsylvania.

5) Of course, you can choose your music, it is your Wedding! It baffles me that there are Wedding DJs that do not let you choose your music for your Wedding.

6) I will be performing at your Wedding or Party. If this is not the case, I will inform you of this during our first conversation, if I am not available but one of my excellent Wedding DJs are and would be a good match for your Wedding. You will know who is your Wedding DJ and it will be written into our DJ contract.

7) I typically have a second DJ with me about 75% of the Weddings we do. You decide in advance if you want to hire a one-person or two-person team of Wedding DJ and MC. I generally will recommend a two-person team for most Weddings but sometimes it is more than necessary, still your choice.

8) Yes, every good Wedding DJ should have several forms of back-up DJ equipment including emergency DJ equipment in case of power failures, you never know what can happen…

9) I use The BOSE L1 System with B1 Bass. It is amazing! My music is stored on my MacBook with several forms of back-ups for technical problems. My current DJ library of music is over 40,000 songs!

10) I would be honored to MC your Wedding! It is fun, exciting and helps me build connections to you and your friends and family. Of course, if you have a friend or family member you would prefer to MC, that is great too.

11) Yes my equipment is used by professional musicians and DJs who know the best. I only use BOSE for my audio sound and Shure wireless mics. By the way, The BOSE L1 System even looks good in your Wedding photos as a bonus.

12) My light show is simple and fun. I do not typically bring a real fancy light show because I want the focus to be on you, it’s your Wedding.

13) I generally do not take breaks. Some venues ask for the Wedding DJ to eat in another room. When this is their policy, I will put on a preprogrammed playlist of your music during dinner, but stay close enough to hear if there are any problems.

14) Overtime is paid in cash if you request this during your Wedding at $150/hour.

15) I have a Guarantee, all professional Wedding DJs should have some guarantee to give you complete peace of mind that I am as committed to your Wedding being amazing as you. Well maybe not as much as you, but you get the point. Do not pay me the balance if you are not completely satisfied with my performance as your Wedding DJ!

There, I answered all 15 Questions To Ask Your Wedding Before You Hire Them. Now you don’t have to ask:) If you have any more questions or want greater detail, just ask.

15 Questions To Ask Your Wedding DJ Before You Hire Them from Rhode Island Wedding DJ

DJ Mystical Michael Rhode Island DJ & Boston DJ

Ask about my Rhode Island Wedding DJ & Rhode Island Party DJ Guarantee!

 

Rhode Island Wedding DJ Without Competition

I have been noticing that Rhode Island Wedding DJs are competing more and more for the Rhode Island Wedding DJ market. Competition is good for any industry, it creates fair price points and promotes excellence. These are the positives to industry professional competition. Of course, there are negatives to Rhode Island Wedding DJ competition as well. They are the area of concern for me.

Fun Rhode Island Wedding DJ

It seems that some of the newer, younger Rhode Island Wedding DJs think that trying to create negative public impressions of the competition is helpful.  These inexperienced to the professional Wedding industry do not understand that what you said or wrote bad about Rhode Island Wedding DJs on Craigslist, Twitter, Facebook or You Tube, also reflects on them as well. This is not to mention that public insults and gossip are bad for the Soul of the individual. Let’s be honest here, we all know that many of you have experienced some really awful Wedding DJs ruin an otherwise great Wedding. This is unfortunate for the Bride and Groom, since we do not get a redo the following week to make it right.

Fun Rhode Island Wedding DJ

Rhode Island Wedding DJ Preparation

I was just on the phone with an interesting Bride getting married this summer. We were laughing at the fact that the Wedding DJ that is not prepared for your Wedding may ruin it and not have the opportunity to fix their lack of preparation or attention to detail. Weddings take a very focused and concentrated effort by the Wedding DJ before we arrive. We need to make sure all equipment is functioning optimally and this is true for our back-up gear as well. It is not enough to just download all the music that the Bride and Groom have put on their Must-Play and Would-Like Played lists, we need to make sure each file works with our DJ software before we leave home. Early on I learned the hard way that every now and then, about 1:500 ratio, we have a bad music file. This happened two summers ago for a Bride and Groom’s First Dance! I felt awful and quickly switched to another song but there was no way to fix it live. They were so disappointed and it has left a mark on me to be ridiculously diligent when preparing for each Wedding. I recognize that it borders on obsessive, but I think it is worth it to never experience that again, especially for the Bride and Groom!

I think it is important that all Rhode Island Wedding DJs show respect and support for each other. I am fortunate that I have never experienced any of the bad blood that seems to be cultivated these days between the couple thousand of us in the area who provide Music, MC and DJ services in New Jersey, New York and Pennsylvania for local Brides and Grooms. It is hard enough trying to find an excellent Wedding DJ without having all the negativity added to the equation.

Fun Rhode Island Wedding DJ

I invite all professional Rhode Island Wedding DJs to respect their competition and more importantly, provide excellent DJ & MC services to all the Brides and Grooms we are hired to create amazing Weddings for. You deserve nothing but excellence at your Wedding and should be able to count on your Wedding DJ to give you at least that, if not more.

Fun Rhode Island Wedding DJ

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

Great Music of Boston

After the horrific bombings yesterday, I thought it would be helpful to create a piece based on the great bands and great music from the city of Boston. Boston has a long history of producing great bands and great music, These are the most popular bands  and great music from Boston.

Great Music of Boston

Aerosmith The stats alone would be enough to secure this spot for the Bad Boys of Boston – more than 100 million albums sold, worldwide stadium tours, enshrinement in the Rock and Roll Hall of Fame, a raft of awards from Grammys to MTV moon men. But numbers and trophies can’t possibly tell the whole glorious, raunchy, tumultuous, debauched, and defiantly rocking story of this quintet that synthesized the sounds of its ancestors – gritty blues, stomping Brit rock, classic pop – into a hard rock sound at once ferocious and irresistible. The band has flirted with implosion time and again, but 40 years, three acts, nine lives, and countless imitators later, fantastical frontman Steven Tyler, guitar ace Joe Perry, and the locomotive trio of guitarist Brad Whitford, bass player Tom Hamilton, and drummer Joey Kramer are still laying down attitude and fire with great music.

The Cars Every single song on the Cars’ debut album is still in rotation on rock radio – no small feat considering the competition for nostalgia programming. The Cars were utterly canny, expert at cherry-picking the most iconic and broadly appealing elements of new wave, hard rock, and Top 40 and fusing the parts into savvy anthems that were somehow as exhilarating as they were slick. Rigorously affectless, the band’s off-kilter, design-driven aesthetic made them MTV staples in the thrilling early days of the music video era. The result? For a few shining years, the Cars achieved that most attractive and elusive state of pop great music grace: a hit machine with credibility.

Boston From the fertile mind of an MIT whiz kid (Tom Scholtz) and an angelic vocalist from Danvers (the late Brad Delp) came an arena-rock band that broke ground in melding state of the art with state of the heart on its blockbuster debut. More than “just another band,” Boston, which included guitarist Barry Goudreau, drummer Sib Hashian, and bassist Fran Sheehan, expanded the vision of what rock music could look and sound like.

Pixies The Pixies released only four albums in three years and never cracked the mainstream, but their artful embrace of musical extremes and radical subversion of conventions created a blueprint for the alternative rock explosion that would follow: whiplash dynamics, a ferocious collision of noise and melody, and cryptic lyricism that flirted with the primal and the surreal. How influential were they? Kurt Cobain was famously fond of saying that Nirvana was trying to rip off the Pixies, and interest in and regard for the band has only grown over the years. Their recent reunion shows, in venues larger and swanker than any they played the first time around, are filled with kids who genuflect at the altar of real musical heroes and great music.

James Taylor The Beatles saw so much potential in a barely-out-of-his-teens James Taylor that he was the first non-British signee to their Apple label. We can’t argue with them. They were likely impressed, as so many still are, by the warmth of his resonant tenor – still undimmed by age – his elegantly intricate guitar style, and his gift for delivering pathos, humor, and ruefulness, often all in one finely honed tune. No matter how personal the demons Taylor has wrestled in song, his voice has been the sound of solace, celebration, and sustenance. Along the way, he has racked up multi-platinum sales, immense peer respect, and a place alongside Aerosmith in the rock hall of fame of great music form Boston.

http://youtu.be/Q7RPCFfudmU

Peter Wolf & J. Geils Band Long before the No. 1 hit “Centerfold” catapulted the group onto a world stage, the J. Geils Band was known around here as something much more meaningful – New England’s blues-rock saviors. There’s a lot to be said for a band that sticks it out for 15 years before becoming famous, but you got the impression the guys weren’t initially hungry for just that. They were in it for the music, a down-and-dirty mix of R&B and rock that morphed into a more pop-oriented sound in the ’80s. Reunions have been sporadic since the group disbanded in 1985, and when frontman Peter Wolf left the lineup two years before that, he enjoyed a successful solo turn as a jive-talking hellcat who thinks the nighttime is the right time. Still a man about town, Wolf recently released his thoughtful seventh solo album, Midnight Souvenirs.

Donna Summer Disco was the genre that unleashed Donna Summer’s astonishing voice upon the masses, and she reigned supreme in the Studio 54 glory days. The woman born LaDonna Gaines transcended the ephemera of that era by bringing erotic heat and a beating heart to Giorgio Moroder’s icy synths and pulsating beats on hits like “Love to Love You Baby” and her powerhouse face-off with Barbra Streisand, “No More Tears (Enough Is Enough).” But even as the mirror ball turned, Summer ambitiously looked beyond dance-floor catnip by exploring concept albums and new sonic frontiers. And long after the glitter faded she was still working hard for the money and scoring hits. Every big-voiced diva who has emerged since, from Whitney Houston to Alicia Keys, owes a debt to Summer and her great music.

Aimee Mann & Til Tuesday Til Tuesday, the band Aimee Mann formed in the early ’80s after dropping out of Berklee College of Music, enjoyed one big single with the moody new wave anthem “Voices Carry.” But it was Mann’s whip-smart songwriting that leapt off the page and became her stock in trade when the frontwoman set out as a solo artist. She stepped boldly into her role as proto-poster girl for independent musicians, fleeing the hits-obsessed major-label system to establish a thriving career on her own terms. More to the point, Mann became a master craftswoman, a cobbler of beautiful, barbed narratives that define a singer-songwriter’s task: to illuminate our deepest, darkest selves.

The Mighty Mighty Bosstones This rowdy, plaid-clad bunch, led by mischievous carnival barker frontman Dicky Barrett, was a true DIY success story long before the major labels got hip to its blend of serrated metal guitar, buoyant rock-steady ska grooves, a jubilant horn section, and a whole lot of punk snarl. The band’s Top 40 breakthrough in 1997 was icing on a long-cooking cake.

Dropkick Murphys If the concept of working-class Boston could be scientifically translated into a musical equivalent, it would be the sound of this endearingly scruffy band of punks. Whether celebrating Celtic pride or the heart of the working man, rooting on our home teams, or lionizing misfits, barflies, and brawlers, the Dropkick Murphys manage to marry menace, mirth, and meaning into something brutal yet inviting.

Tracy Chapman (born March 30, 1964) is an American singer-songwriter, known for her singles “Fast Car“, “Talkin’ ’bout a Revolution“, “Baby Can I Hold You“, “Crossroads“, “Give Me One Reason” and “Telling Stories“. She is a multi-platinum and four-time Grammy Award-winning artist. Chapman’s activism extends further than her lyrics. She has performed at numerous socially aware events, and continues to do so. In 1988, Tracy Chapman performed in London as part of a worldwide concert tour to commemorate the 40th anniversary of the Universal Declaration of Human Rights with Amnesty International. The same year Chapman also performed in the Nelson Mandela 70th Birthday Tribute, an event which raised money for South Africa’s Anti-Apartheid Movement and seven children’s charities. More recently, in 2004 Chapman performed (and rode) in the AIDSLifeCycle event. A true legendary artist producing great music with social impact and commentary.

Great Music from Boston – Tracy Chapman Revolution Live

http://youtu.be/NTyAZTvLfAM

New Edition The Roxbury group may have set a record for successful spinoffs, as Bobby Brown, Ralph Tresvant, and Brown replacement Johnny Gill all enjoyed solo careers, and Ricky Bell, Michael Bivins, and Ronnie DeVoe teamed up for the ’90s sensation Bell Biv DeVoe. But it was the ’80s R&B bubble gum confections like “Cool It Now” and “Candy Girl” that first had girls swooning. With five distinct personalities, voices, and styles, New Edition hewed to the familiar boy-band formula of predecessors like the Jackson 5. But the teens also injected a streetwise swagger into their sweet pop-soul nothings that became the modern template for harmonizing, synchronized-dancing heartthrobs everywhere, including another famous group of Boston kids.

Joan Baez is part of the Great Music and Bands of Boston by Rhode Island Wedding DJ

Joan Baez, pop musician? Not exactly, but the folk matriarch ultimately transcended genre: She was the embodiment and lightning rod of her generation, a beacon of its hopes and indestructible spirit. New York had Dylan, but we could claim Baez, since she moved to Belmont when she was 17 and dropped out of BU soon after enrolling. With nothing more than an acoustic guitar and that sterling soprano, the so-called “barefoot Madonna” quickly established herself as a formidable talent around here, most notably at Cambridge’s Club 47 (now Club Passim). Some 50 years later, Baez is the grande dame of folk music and as committed as ever to activism. And her influence is still felt around the world every time a young woman steps up on stage with just a guitar and a mission.

New Kids on The Block If you attended high school anywhere in the country in the late 1980s, there’s a good chance you heard a familiar refrain in your lunchroom: Who do you love most, Jordan or Joey? New Kids on the Block were global pop stars, but you could tell from those accents that they were the pride of Boston. Assembled by producer Maurice Starr, who had previously discovered New Edition, the band rocketed up the charts with teen-pop anthems such as “Hangin’ Tough” and “You Got It (The Right Stuff).” Initially dismissed by critics, they were the blueprint for the boy-band revival in the early ’90s. And when NKOTB reunited in 2008 for a new album, it was as if time had stood still. The Block debuted at No. 2 on the Billboard 200 chart that year, proving that they still had the right stuff, even if they weren’t kids anymore.

Portions of this article have been taken from Boston’s 25 Greatest Pop Music Acts Ever Boston.com.

Great music and musicians from Boston. It does little to console the pain and sadness over the tragedy in Boston at the Boston Marathon yesterday, but it is still of value.

What great music and artists from Boston are your favorites?

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

Top Questions to Ask a Wedding DJ

It seems that there is greater misinformation being posted every day about hiring an exceptional Wedding DJ. Here are 40 excellent questions to ask your Wedding DJ before hiring them. Obviously, you are not going to ask all forty but at least ask five or ten that seem most important to you. If you would like suggestions on which questions are most important, I invite you to write and I will be glad to offer my experience with you on hiring your Wedding DJ. For the record, number one is most important in my opinion.

The creators of this list, My Deejay in the D.C. area, left out one of the questions I find essential; What is your experience as a Multicultural Wedding DJ with Multicultural Weddings for Multicultural Brides and Grooms. Here in the New Jersey, New York and Pennsylvania are, most of my Brides and grooms are of different culturals creating fun and interesting Multicultural Weddings. For more info on hiring an exceptional Multicultural Wedding DJ please read this article: What Is A Rhode Island Multicultural DJ?

 

Also, they did not mention anything about asking your Wedding DJ if they offer a Guarantee to you!

Top Questions to Ask a Wedding DJ by Rhode Island Wedding DJ

Top 40 Questions to Ask a Wedding DJ

1. Do you offer a written contract?

All of the wedding DJ you interview may not have the same standards of professionalism. A written, legal contract is one of the first indicators of whether a Wedding DJ is professional and reliable. Furthermore, a contract establishes the DJ’s obligation to the client and outlines what is required for the DJ’s success, by outlining his setup requirements and other factors related to his performance. For this reason, a written contract is absolutely essential and any Wedding DJ not using a written contract should not, in our opinion, be considered for a wedding reception.

2. Will you be the DJ at our wedding?

Often, the person you speak with is not the person who will be your DJ on your wedding day. This is a very common practice among large agencies. It is absolutely paramount that you have an opportunity to interview, in person, the specific Wedding DJ that you will be working with and determine whether you feel comfortable with them. You should also expect that the individual DJ’s name is specified on your contract – it is the only way you can be guaranteed his or her services at your wedding.

3. May we meet with you in person before we sign a contract?

Many wedding DJs attempt to conduct their interviews over the telephone and through email instead of meeting face-to-face with prospective clients. In our experience, there are two reasons a disc jockey would do this – either they don’t feel you are worth their time, or they have something to hide. Some deejays are very different in person than on the telephone and what is presented on their website, and you should insist on meeting in face-to-face so you can judge for yourself whether they are a good match for you and your wedding.  Your “gut” feeling is very important in selecting the right Wedding DJ, and it’s practically impossible to make this evaluation unless you are together in person.

4. How long will you hold our date for us?

When you contact a professional disc jockey, they should be willing to hold your date for you for a reasonable amount of time in order to give you a chance to meet with them. They should also give you ample time after your meeting to make a decision and give you time to interview other DJs. Some DJs will use pressure sales tactics to “hard close” you at your meeting, offering a special sale that ends that day, or claiming that another couple is meeting with them for the same date – attempting to pressure you to make a decision on the spot. Any Wedding DJ that uses these types of tactics is unprofessional and is most likely doing so in order to keep you from meeting other DJs (whom they know you’ll like more than you like them). One week is a reasonable amount of time to expect your date to be held for you following an initial meeting.

5. Do you work exclusively for this company?

Most large agencies use independent Wedding DJ subcontractors to perform their events. Often, these DJs work for several agencies and also accept bookings directly. A disc jockey, or the agency through whom he is booked, should be able to explain the DJ’s obligation to that agency and what will happen if he leaves that agency.  Often, there is nothing more than a verbal confirmation between the independent Wedding DJ and the agency for each booking — a frequent cause of problems.  If you choose a Wedding DJ who subcontracts for several agencies and books his own events, you need to be clear on what will happen if he is accidentally double-booked for your wedding date, or what would happen to your event if you contract the Wedding DJ through an agency and he decides to skip out on your event to book something else for a higher price.  To find out whether your DJ is available independently or through numerous agencies, try performing a web search for their name and the word “DJ”.

6. How long have you been a DJ and how many weddings have you done?

A wedding is such an important occasion, and you don’t want your DJ’s first wedding to be your own. The number of years someone has been a Wedding DJ will give you some indication of their experience level, but some DJs only perform for a few events (and fewer weddings) each year. A Wedding DJ with half as many years in the industry may have many times as many weddings under his belt, so you should also ask how many weddings the DJ has done.  Also be sure to ask if the DJ has any formal training, either from a DJ company or a DJ school.

7. How many weddings do you do each year?

Just like any other profession, performing for weddings requires one’s skills to be in top form. If a Wedding DJ performs for only a few weddings per year, they may not be “at the top of their game” by the time your wedding date arrives. Asking how many weddings they do per year will give you an indication of their level of commitment to your type of event.

8. How many other types of events do you do per year?

Different DJs focus on different types of events – some consider themselves a “jack of all trades” and claim expertise in all types of events, and others are specialists. The ratio between the number of weddings a DJ performs for and the amount of other, non-wedding events they do will tell you where their focus lies. If you are looking for a “low-key” wedding DJ and someone you meet with does mostly school dances or Bar Mitzvahs, they may not be very focused on the type of sophisticated presentation you want for your wedding.

9. Do you perform for more than one event in a day?

Some DJs will do as many events as they possibly can, and often try to pack their weekends with all types of DJ work. If a disc jockey has already done an event in the afternoon before your wedding, they will likely be physically exhausted by the latter half of your wedding, which is exactly when they need to be the most alert and active. This is most common at large agencies, where “weekend warriors” may perform at four to six events over a three-day period. It is hard to believe that any DJ could give that many couples an adequate amount of attention leading up to, and on, their wedding day.

10. What makes you different from your competitors?

Any professional wedding disc jockey will take pride in their work, and be able to answer this question honestly and communicate the things that make their services unique. Some DJs, however, will take this opportunity to “bash” their competition and say negative things about specific DJs or agencies. We consider this type of behavior unprofessional (in fact, doing this is strictly forbidden for members of the American Disc Jockey Association), and is a poor reflection on them. In fact, you may want to consider making it a point to meet any DJ that they say something bad about – DJs that engage in this type of thing will often target the DJs they’re afraid you’ll book instead of them, and they’re probably right!

Top Questions to Ask a Wedding DJ by Rhode Island Wedding DJ

11. Have you played at our reception site before?

Wedding experience is important, and so is familiarity with your reception site. Every site poses different challenges – different load-in and security procedures, different room sizes and configurations, different acoustics, even antiquated electrical outlets that need to be grounded manually. Hiring a Wedding DJ that is familiar with your site will give you peace of mind that you won’t have any surprises on your wedding day. Obviously, even the best DJs can’t have performed at every site in the area (since there are hundreds available in any area), but if he hasn’t been to yours, he should be willing to adequately prepare himself prior to your event by visiting the venue and/or speaking with the site contact and studying a floor plan.

12. Do you act as the “emcee” and make all of the announcements?

Any professional wedding disc jockey should be comfortable with making announcements and serving as the emcee for the wedding, it is a standard part of the job. Some DJs, however, are not comfortable with this and prefer to pass these duties on to someone else, such as a site manager, who may not have a professional voice or experience speaking on a microphone.

13. How would you define your “style” when making announcements?

This is an extremely important question to ask because it will tell you whether or not the Wedding DJ is the right match for your guests and the atmosphere you’re trying to create. If you are planning an elegant, understated wedding, then utilizing the services of a “party motivator” or “entertainer DJ” may not be what you are looking for. If you know your guests will need a lot of encouragement to dance, then hiring someone who flatly refuses to make announcements probably isn’t the best idea either.

14. What do you do to motivate the crowd if nobody is dancing?

Different wedding disc jockeys handle this situation in very different ways – some opt to use the microphone to try to “energize” your guests and motivate them to dance. Others would never do something like this and prefer to use careful song selection to ensure dance floor success. You need to know what the Wedding DJ would do in this situation, and determine if that is the way you would like the situation handled.

15. What if something happens to you and you can’t make it to the wedding?

Despite meticulous planning and preparation, accidents do happen. If the Wedding DJ is injured or otherwise unable to perform on your wedding day, what is the backup plan? Most responsible professionals have some sort of backup strategy should this situation ever arise, but others do not. Often, DJs will be members of a local DJ association, and network with other DJs who could possibly provide backup services for them in the event of an emergency. Others take this planning more seriously and reserve a specific DJ for every date, ensuring that backup is both available and prepared in case of an emergency.  You need to feel comfortable that you will still have a qualified, prepared DJ on your wedding day, regardless of the circumstances, so the answer to this question is very important.

16. Will we meet again before the wedding?

Just as some deejays will prefer not to meet you when you book them, others will prefer to conduct a “final meeting” in the weeks before your wedding over the telephone instead of in person. While having a face-to-face meeting for the final meeting is arguably less important than meeting personally for an initial interview, the DJ should still be willing to meet you in person for a second time if that’s what you prefer.

17. Can we visit you at a performance?

Hopefully the answer to this question is “no.” We’re sure that you wouldn’t appreciate the DJ inviting prospective clients to your wedding to see him in action. A professional DJ should be willing to take a stand for his clients’ privacy and not offer this as a possibility.  Professional wedding DJs never allow this.

18. May we speak to your references?

Speaking to a wedding DJ’s former clients is a great way to get a feel for what it is like to work with them, and any DJ should be ready and willing to allow you to speak with their references. He should also be willing to contact several of these references in advance of providing you with their information, so that they have his permission and so you feel comfortable calling them.

19. How do you keep your music collection up-to-date?

The majority of professional DJs subscribe to at least one of the major music update services in order to keep their collections up-to-date. These services provide the DJ with new, radio edited music, often before it is even playing on the radio. Ask the DJ if they subscribe to any of these. The most common are Promo Only, TM Century Prime Cuts, RPM Top Hits Monthly, and ERG NuTraxx.

20. How involved can we be in selecting music for our event?

This is an important question to ask, because some DJs prefer to control the majority of the playlist and supplement their choices with a small handful of your specific requests. Other disc jockeys prefer to let the client choose the majority of the music, and then use their expertise to make it all work. The DJ should be accommodating of your music tastes, and you should feel comfortable with the DJ’s approach and the amount of involvement you’ll be able to have in choosing the music.

Top Questions to Ask a Wedding DJ by Rhode Island Wedding DJ

21. When do we need to submit our music requests and event details?

Most professional DJs will give you a printed song list and planning worksheet with which to communicate the details of your event; others will give you access to an online planning system that will guide you throughout the entire process. You should be given ample time to make decisions regarding your music choices and event timeline, but the DJ should also require this information far enough in advance so that he can adequately prepare for your event. A DJ who doesn’t ask for your requests at least a couple of weeks before your wedding may not be able to fulfill them. In addition, the DJ should be willing to accommodate any later changes or additions whenever possible, rather than locking you into a first dance song that you later regret or refusing to alter the order of your toasts.

22. Do you take requests from our guests?

Most DJs are happy to do so, but you should also feel reasonably assured that any request they chose to play would not be something you didn’t like.

23. Can we submit a “Do Not Play” list?

Any professional DJ should be willing to honor your requests, including your request for certain songs and genres to not be used. Submitting a “Do Not Play” list will give a DJ a clear idea of your limits and your expectations for their song selection at your wedding.

24. When do you arrive to set up for our wedding?

When dealing with sub-standard DJs, there are often issues with them being punctual and set up well in advance of your guests’ arrival. Professional DJs will always arrive at least a full hour before their scheduled start time in order to have adequate time to set up and get organized before the wedding. MyDeejay’s policy is to arrive at least an hour and a half before our scheduled start time.

25. What will you wear to our wedding?

Most wedding DJs own, and are comfortable wearing, a tuxedo when they perform. If the groom will not be wearing a tuxedo, then it is inappropriate for the DJ to wear a tuxedo. You should also ask what type of tuxedo the DJ wears. Brands are unimportant (most tuxes look practically identical), but ask about the style of vest, cummerbund, and neckwear. Some DJs prefer a classic, understated look and others wear flashy, shimmering or patterned vests and matching bowties. It is important that the DJ’s “look” meets your expectations.

26. What will you wear when you set up and break down your equipment?

This is something that is often overlooked, but can make a big difference. If your guests arrive early for the reception or stay afterward, will they see the DJ in a sweaty undershirt and gym shorts? Professional disc jockeys maintain acceptable appearance standards regardless of the situation, including setting up and breaking down their equipment.

27. How much of a deposit is required to secure our date?

Almost every DJ will require some sort of deposit or retainer in order to secure your date. This is for their protection and yours. The industry standard for deposits is 50%. Some DJs require far less, but this is not always a good idea. If the contract language doesn’t stipulate a specific guarantee of services and clearly outline a cancellation policy, the DJ may only legally be responsible for returning your deposit (sometimes as little as $25) in order to back out of doing your wedding. While it would certainly be considered unprofessional, there certainly isn’t any financial incentive for the DJ if he’s only forced to pay a small fee for backing out on you.

28. What is included in the cost of my event?

DJs use vastly different systems when pricing their services. Most DJs price their services a la carte, charging an hourly rate and adding charges for any additional equipment needed. Others choose to use a flat-rate pricing system and make their packages all-inclusive. You need to be clear about what a DJ is offering for the price they’ve quoted you, so you can compare their package to those of the other DJs you are interviewing.

29. How much would you charge for overtime?

Hopefully your DJ will do such a wonderful job at your wedding that you’d like to keep dancing! Be sure that the DJ’s contract outlines a specific rate for additional time at the end of the night, whether it is a set price or a pro-rated amount based on the original price.

30. What do you require from us?

Every DJ will require a few things that you’ll need to provide them in order to be successful. The most common are adequate shelter, electricity, and a table for their equipment. Make sure that you understand exactly what the DJ needs from you so you can communicate those needs to your reception site and caterer.

Top Questions to Ask a Wedding DJ by Rhode Island Wedding DJ

31. Do you require a meal?

Some DJs require that they receive a meal at the wedding, and some even demand that they be fed the same food as your guests. Others do not require a meal at all, or simply accept one if you happen to offer. Again, be sure you know what the DJ’s requirements are so you can plan accordingly.

32. Are you insured?

It is absolutely essential that any DJ you consider carries a full liability insurance policy. They are fairly inexpensive (less than $250 per year in some cases), so being uninsured is inexcusable. Some reception sites have even taken the step of requiring all vendors working at their facility to provide proof of insurance before the wedding. Liability insurance protects you and the reception site in the unlikely event that your DJ injures one of your guests or burns your reception site to the ground.

33. Do you take any breaks?

One of the major advantages to using a DJ instead of a band is that a DJ does not need to take breaks, outside of using the restroom and possibly eating a meal quickly in another room (if this is what your site contact or caterer requires). In any case, the DJ should assure you that there will be no break in the music at any point during the reception.

34. What is your policy on alcohol or smoking during the wedding?

A professional DJ will never consume alcohol or take cigarette breaks during your wedding. If you interview a DJ and he tells you he needs a few drinks to “loosen up” while working, you should probably look for a DJ with higher standards of professionalism.

35. What kind of equipment do you use?

Any DJ you consider should be proud of his sound system, and should be using professional-grade equipment. Most DJs understand that you are very unlikely to have a working knowledge of  professional DJ equipment, but he should be able to describe his sound system to you. You should not hear very many “home audio” brands in what he describes – the top brands for DJ equipment are Pioneer, Denon, PCDJ, Traktor, Serato, Electro-Voice (EV), JBL, Bose, Mackie, RANE, QSC, and Shure.

36. Do you bring backup equipment with you to the wedding?

Even the very best and most well-maintained equipment will malfunction at some point. Your DJ needs to be prepared in case this happens at your wedding. The only way you will not suffer a setback on your special day is if the DJ brings a full second sound system with them to each and every wedding. Having backup equipment in a warehouse 50 miles from your reception site won’t do much good if there is no music at your wedding for an hour.

37. Do you have a wireless microphone?

Every professional wedding DJ should offer a wireless microphone to be used for your guests’ toasts, blessing, and any other speeches that need to be made. The industry standard for wireless microphones is Shure, and most professional DJs use Shure wireless technology.

38. Do you have a “light show”?

Some DJs also offer “party lights,” either as part of their package or as an additional service they can provide. You should find out whether the DJ plans on setting up lights for the dance floor, and whether this matches your preferences. Also, if you do desire a light show, you may want to ask how this will affect the aesthetics of your reception (in other words, how bulky/cumbersome the setup is) and the quality of your photographs or video. In our experience, most weddings do not need (and practically none of our clients even ask for) a light show.

39. Do you set up a sign or banner with your equipment?

Shameless self-promotion sometimes rears its ugly head at wedding receptions in the form of a sign or banner advertising the DJ’s company name and contact information. These items inevitably find their way into your wedding pictures and video, and ruin what is an otherwise commercial-free event. This practice is repulsive and completely unprofessional, and we believe that any DJ that does this should never be hired for a wedding.

40. Do you belong to any professional associations or trade groups?

If a DJ is serious about his craft and interested in becoming a better performer, they will often join a local DJ association or trade group. These are opportunities for DJs to interact with one another, share ideas, and network with other DJs who might be able to help them should they ever have an emergency. While membership in one of these organizations is not a guarantee of that DJ’s talent level, it does at least show a willingness to grow and improve and become a better DJ.

Top Questions to Ask a Wedding DJ by Rhode Island Wedding DJ

Except for the discussion of questions regarding a guarantee and Multicultural Wedding DJ experience, I think this is an excellent list of questions to ask your Wedding DJ. Which do you think are most important? Which do you thikn don’t matter?

DJ Mystical Michael Rhode Island DJ & Boston DJ

Ask about my Rhode Island Wedding DJ & Rhode Island Party DJ Guarantee!

 

William and Lillian Wedding

Gallery

This gallery contains 21 photos.

DJ Non-Traditional Romance Mix (Lush Jams)

The second mix in the DJ Non-Traditional Romance Mix series. The Traditional Romance Mix (Lush Jams) includes songs that are a little too fast for Slow Jams but not really uptempo. They typically are lush and deep with textured sounds. These are not songs typically thought of or associated with romance, which is one of the reasons the DJ Non-Traditional Romance Mix (Lush Jams) was so much fun to create.

DJ Non-Traditional Romance Mix (Lush Jams)

      Non-Traditional Romance Mix. Lush Jams - DJ Mystical Michael

I enjoyed the opportunity to mix in some covers of classic tunes like  Madonna’s “Borderline”, Elton John’s “Sacrifice” and Ravel’s “Bolero”.  It is fun playing with such textured grooves and beats together to weave an eclectic and diverse musical landscape.

Fun Rhode Island Wedding DJ Non-Traditional Romance Mix (Lush Jams)

As is the case with all the professional DJ mixes I have been posting online, if you would like me to burn you a CD copy, just send me an email with the information and I will get it right out to you.

DJ Mystical Michael Rhode Island DJ & NY DJ

Scissor Sisters Comfortably Numb

When listening and watching this video Scissor Sisters Comfortably Numb on You Tube today, I was struck by the passion and voracity that people who chose to comment shared their opinions on this and the original version by Pink Floyd. It does not seem important to share my particular opinion, but what does some important is how personal the comments are! It is as if you we were stealing somebody’s only child from them, not a subjective comment on a pop song covered from classic rock legends. Why is this?

 

Why do we feel so emotionally charged about sharing our feelings about music?

 

What about music facilitates such force and even anger or sexuality?

 

Why are we insulted by someone disagreeing with our musical taste?

 

What do Pink Floyd think of this version of Scissor Sisters Comfortably Numb? Are they happy that more than thirty years later people still find value in their music or downright offended at the lightness of such a heavy, inward song?

 

Does it matter what they think about Scissor Sisters Comfortably Numb?

Will the ‘genre wars’ ever end?

DJ Mystical Michael Rhode Island DJ & NY DJ

Queen and David Bowie Under Pressure

Another ground-breaking music video. Queen and David Bowie collaborate to make this song and video. It portrayed what real poverty and stress are through the use all kinds of clips. It really gave the viewer an opportunity to experience ‘pressure’ through the lyrics and the images. Unlike most videos at the time, they were not as focused on being cool or sexy but actually sharing a message with grace and force.

 

Of course, Queen and David Bowie  were not the first to do so, nor the last. At the time, it stood out from the rest of the pack. The production quality of the images were of the highest level. Music, songwriting and lyrics were right up there as well. This is one of the music videos that those in the business use as a barometer for what is possible with some creativity and skill.

 

It is rare such visionary artists are willing to share billing like this. Queen and David Bowie were both on top of the industry and could have made something flashier or more commercial but they chose to funnel their collective popularity and talents to make something that mattered. I wish others would do the same. Music has always had its share of artists that give their time and energy to support social issues. This is just an example of one of the better efforts in that regard.

“Why can’t we give love, give love, give love?… This is our last dance. This is our last dance.”

It is interesting how the sound quality and production sound just like the stuff being produced today. A professional DJ can mix Queen and David Bowie with current stuff and there is no drop-off in audio quality or technology. I do, and people seem to like it!

DJ Mystical Michael Rhode Island DJ & NY DJ

Walk This Way

Walk This Way. Run-D.M.C. was a Hip Hop group from Hollis, in Queens, NYC. Founded by Joseph “RUN” Simmons, Darryl “DMC” McDaniels, and Jason “Jam Master Jay” Mizell, the group is widely acknowledged as one of the most influential acts in the history of Hip Hop.

 

They were the biggest act in Hip-Hop throughout the 1980s and are credited with breaking Hip Hop into mainstream music. They were the first group in their genre to have a Gold record and be nominated for a Grammy. The group was among the first to show how important the MC/DJ relationship was. In 2004, Rolling Stone Magazine ranked them number 48 in their list of the greatest musical artists of all time.

 

Walk This Way, the song and video became one of the biggest hits of the ’80s, reaching number four on the Hot 100, and cemented Run–D.M.C.’s crossover status. It also resurrected Aerosmith’s career. More than this, it was really the bridge between rock and Hip Hop in the mainstream that allowed their followers to try both genre as viable and important.

 

As a professional DJ, I remember when RUN-DMC were first commercially released. They blew me away with their force and passion in both beats and lyrics. It was not long after that they became regulars on my turntables and the clubs I was working in at the time. It was fun to see how people reacted to hearing their stuff for the first time. I knew then that they had tapped into something special. When they recorded “Walk This Way” with Aerosmith, they cemented themselves as pioneers again. There are those that say they were the ones who birthed the so-called Golden Age of Hip Hop. To me, they were the ones who made Hip Hop relevant and important to the music industry and music in general.

Walk This Way

DJ Mystical Michael Rhode Island DJ & NY DJ

Elton John Empty Garden

Elton John Empty Garden. I still get emotional and shaky when I think of the night John Lennon was shot and killed12/8/1980. I was the professional DJ that night in a club and dropped the record I had in my hand when I was informed of this shocking event. It was and still is my “Where were you when J.F.K. was killed?” moment. This song was a tribute to John Lennon from his good friend and Godfather to his second son Sean, Elton John. It made remembering John all that much more difficult and real.

 

John Lennon was my hero growing up. His words and music about peace, love and personal action are still with me today and have shaped my being. I was crushed when he died. Somehow, Elton being a friend of his and one of my favorite writers at the time made it seem better since he too was grieving the loss of a special man personally. Elton John Empty Garden.

 

Elton had performed on several Lennon songs and even appeared onstage with him at his final concert in 1974.  When he performed this song at a sold-out Madison Square Garden show in August 1982, Elton was joined onstage by Lennon’s wife Yoko Ono and Sean Lennon.

 

There has been some discussion of which “garden” Elton John Empty Garden was writing about. Perhaps the “empty garden among the flagstones” are the thousands of flowers that were left at the entryway to the Dakota that night and through the following days. People simply did not know what to do with their grief and so they gathered outside the Dakota with their flowers and radios and sang his songs into the morning. Yoko had to send her assistant outside saying she loved the singing but it was keeping her awake so would they gather again that Sunday and remember how “John loved and prayed for the human race. Please pray the same for him.” Others say John’s beauty and creativity itself was ‘the garden’. Still others argue that it is actually Madison Square Garden where they played together especially John’s last performance. Regardless of the truth, all of them have equal and different pull at my heart, they all work for me and feel true.

 

This remains one of the most touching and emotional songs for me. “Hey Hey Johnny, won’t you come out to play?”Elton John Empty Garden.

 

I miss you John. Where are you?

Elton John Empty Garden

http://youtu.be/AABK5eY1DGc

DJ Mystical Michael Rhode Island DJ & NY DJ