Muse Can’t Take My Eyes Off You

Muse Can’t Take My Eyes Off You. Growing up in Rhode Island with a Mom from Newark who used to be friends with Frankie Valli, it was unavoidable for me to be a fan of The Four Seasons and Frankie Valli. This was one of my favorites. I also enjoyed the Laruryn Hill version, nice beat and her sensual voice.

 

This past September I was professional Wedding DJ with an interesting couple who had diverse and eclectic taste in music. They both loved the original of Muse Can’t Take My Eyes Off You and reflected deeply on it being their First Dance Song. Then they heard Muse Can’t Take My Eyes Off You version and the decision was made. They are a couple who share qualities of gentleness and an edge – Muse Can’t Take My Eyes Off You version met both those traits with the advantage of allowing them to dance slow and fast throughout Muse Can’t Take My Eyes Off You. It was great! It has also been in my head more times than I can remember since that night.

 

Lately I have been doing a professional DJ mix beginning with the original, segueing to the Lauryn Hill version for the second verse and then into Muse Can’t Take My Eyes Off You cover from the second chorus forward. It makes for a fun way to get folks on the dance floor from several genres all at the same time and laughing at the peculiar set.

Muse Can’t Take My Eyes Off You Music Video

Can’t Take My Eyes Off You” is a 1967 single by Frankie Valli. The song was among Valli’s biggest hits, reaching #2 on theBillboard Hot 100 and earning a gold record. It was Valli’s biggest “solo” hit until he hit #1 in 1975 with “My Eyes Adored You“.[1]“Can’t Take My Eyes Off You” has had a major cultural impact, with hundreds of cover versions, many of which have been on the charts themselves in different countries. The song is a staple of television and film soundtracks, even being featured as part of the plot of some films, such as when the lead characters sing or arrange their own version of the song. The Valli version was also used by NASA as a wake-up song for a mission of the Space Shuttle, on the anniversary of astronaut Christopher Ferguson.

Beautiful Rhode Island Multicultural Wedding DJ Muse Can't Take My Eyes Off You

DJ Mystical Michael Rhode Island DJ & NY DJ

Professional DJs Playing Remix after Remix

I have not been a fan of a steady diet of remix after remix of old samples added to new beats. It somehow seems like a way to take someone’s work and pull it apart. Think if we did the same thing with a painting or a novel? But music is somewhat different. Music is more malleable than most artistic forms. Artists have been doing their versions of artists songs for as long as there has been music. So, it is not a great leap to take their recorded music and reshape it to your needs. I need to clarify that I think it makes total sense for the artist or producer to remix at their leisure. It is their creative piece to begin with, but when we do so, it is without their voice being heard in the creative process. This seems different to me.

What I did find interesting though was hearing great inspiring speeches and phrases dubbed over beats. An example was Martin Luther King’s I Have A Dream Speech was dubbed over some basic hard-driving beats. Of course, this is not a new practice, just one that deserves further exploration. Is it against the basic premise of artist’s work is left alone except when the artist themselves are giving their creative input to make certain it meets their standards and maintains their intention?  Artist integrity also has to be considered. As an artist, would you be OK with someone you have never met taking your work and reshaping to the way they want it? Any shape they want. They may even take out your vocals altogether, or just the lyrics they do not like.

As a songwriter, there is a conflict here. Of course, they are fine with the idea that someone likes their work enough to care, maybe not as accepting to the concept of it being pulled apart at the seams and made into something brand new, without their input. I think it would depend on the artist.

I wonder how Pink Floyd feel about hearing their songs sampled over a disco beat or Johnny Cash to a Hip Hop beat (both exist)?  What about Sinatra remixed to Country beats?  Or Mozart to Heavy Metal? Would these artists lose sleep from agony or embrace the new, different form their work has taken?

I think it is important to recognize that not all artists will feel respected and admired by the final results. Some may be blown away at what we can do today without bands or musicians, yet others may cringe at the thought. While we dance away to the new version of Sly and The Family Stone’s Everyday People, I invite you to keep in mind the original artist’s intention and how they would feel about our new version of their song. Hear their voice and let it speak to you and connect with you. It is not that I am saying that remixing or sampling are bad, just think it is important to be mindful of the original artist and their focus, creativity and direction. Are we honoring or ignoring them in our need for something new without actually creating something new? This is the question for the professional DJ.

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DJ Mystical Michael Rhode Island DJ & NY DJ