This gallery contains 38 photos.
Carlo and Alecia Wedding – Providence Wedding DJ
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Tag Archives: Rhode Island Multicultural DJ
Pharrell Sobs Tears Of Joy While Watching The World Dance To ‘Happy’ (Video)
As a professional DJ that also happens to be a Counselor and Life Coach, there is no way that I would not post Pharrell Sobs Tears Of Joy! The fact that these videos are being made all over the world has thrilled me since I first heard about it a while back. This is great! Regardless of how you feel about Pharrell Williams “Happy” the energy and force that people are creating videos dancing happily has to make you feel good. It is rare that pop music has things to celebrate these days, this is one of them.
I thought it would be fun to post some photos of people dancing happily at weddings and parties I have been DJ lately within the article.
Pharrell Sobs Tears Of Joy While Watching The World Dance To ‘Happy’ (Video)
Pharrell is so “Happy” that he’s crying tears of joy.
The legendary singer/producer/style icon/large hat wearer/all-around good dude sat down with Oprah to discuss all things “Happy.”
While sitting with her and watching fan-created videos to his song, Pharrell broke down in tears. Why? Because the song is beautiful, the videos are incredible and people all over the world love it.
Pharrell created a unifying song that knows no boundaries. Held together by an infectious melody, feel-good lyrics you can’t help but love and an energy that can’t be surmised in words, Pharrell has created something incredible and timeless.
The seven-time Grammy winner has been in the game and seen success for decades, but he is still managing to reinvent himself, even at age 41.
In his interview with Oprah, the gravity of his hard work finally sinks in, and you can feel a sense of relief wash over him. Pharrell proved to the world, and himself, that he still has it and that he’s actually better than ever.
Between Robin Thicke’s summer anthem “Blurred Lines” and “Happy,” Pharrell has held the number one slot a total of 19 weeks and counting since June 2013. In addition to his work with Daft Punk, Pharrell shows no signs of slowing up, and even his giant hat can’t weigh him down!
via Pharrell Sobs Tears Of Joy While Watching The World Dance To ‘Happy’ (Video).
I hope you enjoyed Pharrell Sobs Tears Of Joy While Watching The World Dance To ‘Happy’ as much as I did.
DJ Mystical Michael Rhode Island DJ and Boston DJ
Ask about my Rhode Island Wedding DJ and Rhode Island Party DJ Guarantee!
20 Hit Songs Meant For Other Singers
20 Hit Songs Meant For Other Singers
Last week, Nicole Scherzinger revealed in an interview that she had the opportunity to record “We Found Love,” the Calvin Harris-produced dance smash that became the biggest hit of Rihanna’s thriving career, but let the chance slip through her fingers. “I passed on ‘We Found Love,'” Scherzinger admitted to Notion Magazine. “I’ve got the demo of that song and I was busy at the time.”
Surprisingly, this occurrence is not at all uncommon in the music world: the past half-century is littered with examples of iconic pop songs that were originally intended for someone else to perform. Imagine a world in which Britney Spears is singing “Umbrella,” Hillary Duff scored a monster hit with “Since U Been Gone” and Paris Hilton asked “Don’t Cha” instead of Scherzinger’s old group, the Pussycat Dolls. Strange to consider, isn’t it? But some of these missed opportunities were pretty close to becoming reality.
Check out these 20 instances of smash songs originally intended for other artists, and let us know which one is the most mind-blowing to consider in the comments section below.
| “Telephone” | |
| Turned Down By: Britney Spears | Recorded by: Lady Gaga |
| For those who love comparing Britney Spears and Lady Gaga, this one is a doozy: Gaga originally wrote “Telephone” to be included on Spears’ “Circus” album, but after the pop superstar rejected it, Gaga saved the track for later inclusion on her “Fame Monster” release. A demo of Spears singing the track supposedly leaked online in 2010, but we’re unlikely to ever hear Spears’ polished take on the song. | |
| “Disturbia” | |
| Turned Down By: Chris Brown | Recorded by: Rihanna |
| Months before the 2009 Grammy Awards, Chris Brown co-penned an electro-pop jam that was considered for the deluxe edition of his “Exclusive” album. Brown opted to record “Forever” instead, and gave “Disturbia” to his girlfriend Rihanna, who turned it into another No. 1 hit on the Hot 100. Brown could have easily turned Brian Kennedy’s propulsive beat into a radio hit of his own, but the track just sounds cleaner with Rihanna out in front. | |
| “Friends in Low Places” | |
| Previously Recorded By: Mark Chesnutt | Made Famous By: Garth Brooks |
| While Brooks claimed in the liner notes of “The Hits” that “Friends in Low Places” was originally held for him, Mark Chesnutt, who enjoyed a run of success in the early 90s, also recorded the song. His version appears on his 1990 debut “Too Cold at Home” — released only a month after Brooks’ “No Fences” — and was the B-side to his 1991 single “Broken Promise Land.”
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| “Rock Your Body” | |
| Turned Down By: Michael Jackson | Recorded By: Justin Timberlake |
| Imagine, if you will, that Michael Jackson’s final album was comprised of Neptunes-produced bangers like “Rock Your Body” instead of the uneven fare of 1999’s “Invincible.” And imagine that Justin Timberlake’s solo debut was not blessed with tracks like this ubiquitous dance-starter. MJ passed on “Rock Your Body,” and a number of other “Justified” songs, before the tracks went to JT, sending us into an alternate pop universe that still resonates today. | |
| “Since U Been Gone” | |
| Turned Down By: Pink, Hillary Duff | Recorded By: Kelly Clarkson |
| Dr. Luke and Max Martin originally teamed up to give P!nk another hit, and when she reportedly turned it down, they reached out to Hillary Duff. But the story goes that Clive Davis convinced the producers to give the song to Clarkson, who fashioned it into the centerpiece of her “Breakaway” and helped it sell 2.6 million downloads, according to Nielsen SoundScan. | |
| “N—as in Paris” | |
| Turned Down By: Pusha T | Recorded By: Jay-Z & Kanye West |
| Hit-Boy’s bonkers beat on the “Watch The Throne” hit could have been the property of the former Clipse member, but even he doesn’t know if it would have turned out as irresistible as Jay and Ye made it. “I tell people all the time that I don’t know if I would’ve attacked it that way,” he said in a 2011 interview, “which means the record might not have been as special once I got on it.” | |
| “Gold Digger” | |
| Turned Down By: Shawnna | Recorded By: Kanye West |
| “Gold Digger” became one of Yeezy’s biggest hits to date, but would the Jamie Foxx-assisted “Late Registration” jam topped the Hot 100 if it had been recorded by Chicago rapstress Shawnna? After she passed on the beat, West rewrote the hook to accommodate a male perspective, and struck, er, gold.
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| “S.O.S.” | |
| Turned Down By: Christina Milian | Recorded By: Rihanna |
| In a hits-packed career, “S.O.S.” still stands out for Rihanna: the infectious dance track spent three weeks atop the Hot 100, notching the Barbadian star her first number one single. Christina Milian, who infamously passed up the chance to record the track, certainly could have used the smash single — her last mainstream hit was “Dip It Low” in 2004, and she hasn’t released an album since 2006, the same year that “S.O.S.” reigned on the radio. | |
| “Umbrella” | |
| Turned Down By: Britney Spears | Recorded By: Rihanna |
| Back in 2007, a full-fledged Britney Spears comeback was far from assured, after a series of personal meltdowns prevented the pop superstar from once again reaching greatness. Legend has it that “Umbrella” writer/co-producer The-Dream offered the song to Brit as a way to engineer a return to the throne, but that her management nixed the track, which eventually went to Rihanna and became a No. 1 record. It’s not hard to imagine Spears’ voice on the track, but it’s impossible to think how a lack of “Umbrella” would have changed Rihanna’s career. | |
| “Nothin’ On You” | |
| Turned Down By: Lupe Fiasco | Recorded By: B.o.B. |
| Before B.o.B and Bruno Mars linked up to perform the song that would serve as a breakout to both, “Nothin’ On You” was originally offered to another Atlantic hip-hop artist, Lupe Fiasco. Apparently the label rejected Fiasco’s version of the track, which made the rapper reach a breaking point. “It was less about the bruised ego but more the audacity of it. It was mentally destructive,” he said in an interview after the song’s release.
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| “…Baby One More Time” | |
| Turned Down By: TLC | Recorded By: Britney Spears |
| This is one denial that seemed to work out for all parties involved: Max Martin’s pop track was originally offered to TLC for their “Fan Mail” album, but the R&B group rejected the song, which eventually served as Spears’ debut single. Without “…Baby One More Time,” Spears perhaps does not arrive in such a huge way; meanwhile, TLC packed “FanMail” with hits like “No Scrubs” and “Unpretty,” and the album was eventually nominated for album of the year at the Grammy Awards. | |
| “How Will I Know” | |
| Turned Down By: Janet Jackson | Recorded By: Whitney Houston |
| Whitney Houston’s No. 1 hit on the Hot 100 stands as one of the artist’s most iconic tracks — but it could have sounded a lot different with Janet Jackson at the helm. Songwriters George Merrill and Shannon Rubicam reportedly approached Janet’s management team with a demo, but a swift decline forced them to look elsewhere. Thanks in large part to Clive Davis, Houston was given the track and turned it into a behemoth. | |
| “Whataya Want From Me” | |
| Turned Down By: P!nk | Recorded By: Adam Lambert |
| Adam Lambert’s biggest hit to date could have ended up on “Funhouse” by P!nk, who co-wrote the track with Max Martin and Shellback before delivering it to the “American Idol” runner-up. P!nk eventually recorded her own version of “Whataya Want From Me,” complete with the exact same arrangement, and placed it on her “Greatest Hits… So Far!!!” compilation in 2010 — but Lambert’s rafter-reaching vocals still score the victory in a side-by-side comparison. | |
| “Toxic” | |
| Turned Down By: Kylie Minogue | Recorded By: Britney Spears |
| Britney’s 2004 smash won the pop star her first Grammy and has sold 1.9 million downloads since its release according to Nielsen SoundScan, but the seductive song could have been a logical sequel to Kylie Minogue’s “Can’t Get You Out of My Head.” “I listened to a snippet of it in the record company offices and decided against it,” Minogue said in a 2008 interview. “It’s like the fish that got away. You just have to accept it.”
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| “Holiday” | |
| Turned Down By: Mary Wilson | Recorded By: Madonna |
| The unstoppable “Holiday” was passed around to Phyllis Hyman and then to Supremes founding member Mary Wilson before it came to Madonna, who guided the track to a No. 16 peak on the Hot 100 and gave the upstart singer her first taste of the chart. How would the song have sounded with an R&B backbone? The world will never know. | |
| “I’m A Slave 4 U” | |
| Turned Down By: Janet Jackson | Recorded By: Britney Spears |
| The Neptunes’ slinky pop track was almost given a completely different context: instead of becoming the sexually charged lead single of her more adult “Britney” album, “I’m A Slave 4 U” almost ended up as a game-changing single for Janet Jackson, who passed on the opportunity to record the song. That’s right: if Janet opted to take on “Slave,” maybe Britney NEVER dances with a python on the VMAs stage! | |
| “Thinkin Bout You” | |
| First Recorded By: Frank Ocean | Famously Recorded By: Bridget Kelly |
| Ocean’s record of the year Grammy nominee was originally written for Roc Nation artist Bridget Kelly, but in 2011, Ocean leaked his own demo of the track on his Tumblr page. Fast-forward one year, and the vulnerable slow jam is featured on both Kelly’s “Every Girl” EP (under the title “Thinking About Forever”) and Ocean’s best-selling “Channel Orange” LP. Both versions are worth hearing, but Ocean’s personal cut still lingers with fans, years after that Tumblr post.
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| “Call Me” | |
| Turned Down By: Stevie Nicks | Recorded By: Blondie |
| Disco producer Giorgio Moroder originally asked Fleetwood Mac’s lead songstress to help compose lyrics and deliver vocals for his latest dance confection, but when contractual issues prevented the collaboration from happening, Moroder turned to Debbie Harry, who co-wrote “Call Me.” Nicks scored a huge hit two years later with “Edge of Seventeen,” but could she have guided “Call Me” to its No. 1 spot on the Hot 100, as Blondie did? | |
| “Don’t Cha” | |
| Turned Down By: Paris Hilton | Recorded By: The Pussycat Dolls |
| The salacious single was originally offered to both the Sugababes and Paris Hilton before ending up with the Pussycat Dolls, who used the track as the lead single from their 2005 debut album “PCD.” Hilton’s 2006 debut LP “Paris” never scored a hit on the level of “Don’t Cha,” and could have used the track as an introduction to her short-lived sonic style. | |
| “Let’s Get Loud” | |
| Turned Down By: Gloria Estefan | Recorded By: Jennifer Lopez |
| “Let’s Get Loud” was originally written by Estefan and Kike Santander for the Latin-pop superstar to use for herself, but the song was eventually passed to Lopez, who turned it into one of the biggest hits from his 1999 debut “On the 6.” The song, which has sold 413,000 downloads according to Nielsen SoundScan, surely could have worked for Estefan as well, but helped catapult Lopez to a new level of fame.
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The song I am the most curious about is Michael Jackson performing “Rock Your Body”, could have been interesting. Is there a song in particular of the 20 Hit Songs Meant For Other Singers that you would have liked to hear?
Rhode Island DJ and Boston DJ
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Creative Dance DJ in Cambridge
Last Friday Night I had the opportunity to be the creative dance DJ at Dance Friday in Cambridge, MA. After four years as creative dance DJ at Barefoot Boogie in NYC, I miss providing great and eclectic music for movement and dance at a venue like Dance Friday.
Creative Dance DJ at Dance Friday in Cambridge
Dance Friday is an event where people of all ages, backgrounds, and abilities can express themselves through movement to music. We offer an atmosphere of acceptance, friendship, and trust. We guide our freedom of Expression by a committed respect for the physical and psychological safety of others. Dance Friday is a community drawn together by a shared delight in dance and the recognition and respect for the value of life. We are the only Boston-area dance to welcome children. Dance Friday is a member dance of Dance New England.
Creative Dance DJ Musical Styles at Dance Friday in Cambridge
All kinds of musical are played by our creative dance DJs! Contemporary, World music, Pop, Hip Hop, Reggae and Reggaeton, Classic Rock, Disco, Funk, Ska, Latin, Swing, R&B, Blues…. Our Creative Dance DJs’ goals are to please everyone and keep the dance floor jumping. our DJ’s scour playlists to provide an evening full of wonderful beats, tempos and melodies to move your body with. If there’s something you’d like to hear, please suggest it; there is a Comments Book for sharing helpful suggestions regarding the evening’s music and atmosphere. All the music is provided by volunteer Creative Dance DJ’s.
Dance New England brings together a community of member dances and dancers. We are united by our love of dance as an empowering community activity.
We believe that everyone can dance and that dance provides us with the opportunity to enrich ourselves and the greater community. We use dance as a medium to communicate and to demonstrate our unity. At Dance Camp and Weekends we come together to dance, express our caring, exchange ideas; and organize ways to communicate and understand each other.
We seek to explore ways to show our commitment to the acceptance of and respect for all people and cultures, the empowerment of children, and the acknowledgement that our bodies and our environment are sacred. We recognize the need for each of us to be able to safely express who we are and be acknowledged for the value of the contributions that each of us brings to this community. These include a cooperative spirit, interdependence, and sustainable volunteerism.
We recognize that how we accomplish our aim is important. Consensus decision-making, non-violent conflict resolution, collective work, personal responsibility, educational inreach and outreach, and flexibility in the face of the need to change are tenets of our organizational democracy. We believe that the conservation of our planet’s resources and the fair distribution of the fruits of our labor and play create a positive example for the worl
DJ Mystical Michael Rhode Island DJ & Boston DJ
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Fun Rhode Island DJ Birthday Party
I always feel so satisfied after a really fun event, of course, some more than others. It seems to take the right mix of people and music to make an outstanding event like the Fun Rhode Island DJ Birthday Party last week. It was a 60th Birthday party that the guest of honor kept insisting was his 38th Birthday, not his 60th:) He was a little late in trying to convince anybody since we were all present at Chelos Waterfront in Warwick way before him, due to it being a surprise 60th Birthday Party.
The excitement was building as each guest arrived in advance of the guest of honor. There was a nice mix of family, friends and co-workers. Both the guest of honor and his wife are employees at BOSE in Framingham, MA. I am a fan of BOSE since that is really the only sound system I will use as a professional DJ. I use the BOSE L1 with B1 Bass. It was fun having several BOSE employees come up and converse with me about my DJ equipment, a few have never heard the BOSE L1 used by a DJ before and were so excited! I always love showing off the best DJ equipment and the opportunity to demonstrate its incredible sound to techies at BOSE was a blast for me.
L1® Model 1S system with B1 bass
- Recommended for audiences up to 300
- 12-speaker articulated line array delivers 180-degree horizontal sound coverage
- Produces consistent tonal balance with less volume drop-off over distance
- System’s interconnecting pieces allow for easy transport, setup and breakdown
- B1 bass module included
Spend less time setting up your gear and more time enjoying it. The new L1 Model 1S portable line array system delivers a potent combination of portability and performance. It’s compact and light enough to make setup quick and easy, yet powerful enough to fill a mid-sized venue. This system works well for solo musicians, bands and public speakers. Includes one B1 bass module for enhanced low-end performance.
A fun Rhode Island DJ Birthday Party was had by all!
DJ Mystical Michael Rhode Island DJ & Boston DJ
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Tee 60th Birthday Party
Gallery
This gallery contains 34 photos.
DJ Mystical Michael Rhode Island DJ & Boston DJ Ask about my Rhode Island Wedding DJ & Rhode IslandParty DJ Guarantee!
What is World Music? Does The Name Work Anymore?
As a Rhode Island DJ with a diverse, Multicultural DJ Music library, I get asked often to play “World Music”. Of course, I know what the person requesting World Music wants to hear most of the time but the name World Music may not be applicable or respectful anymore. Let’s take a look at the roots of the genre World Music and if it is something that needs to change in a multicultural world like we haver today; Uganda, Mumbai, Turkey and Tibet do not feel like foreign, “exotic” nations as they did before the internet and You Tube took hold of the world do they?
Samite - Mountains Of The Moon
What Is World Music?
I wish I had a dollar for every time I am asked “What is World Music?”. It is probably my most frequently asked question.
To a lot of people I know, the term “World Music” conjures up images of men in loincloths, banging on clay gourds in Africa. Or something like that. A style of music that is particular to a specific, usually non-Western culture.
Buddha Bar, World Music and Global Lounge Mix
Buddha Bar & Global Lounge Mix - DJ Mystical Michael
And to an extent, they are right. World Music is, to over-simplify, music from around the world. Sounds that reflect a particular culture through the use of geographically-specific musical structure, instruments, and in some cases, lyrics that also reflect a cultural or social reality.
In some cases, World Music an be as simple as pop music with lyrics in a language other than English. What does the linguistic approach Francis Cabrel takes — his pronunciation, his turns of phrases — say about the French language? What does his style reflect about the development of the French chanson since the early part of this century?
Or, most commonly assumed, World Music can be a musical style completely rooted in a culture apart from our own respective ones. To me, someone who has grown up in white, middle class Canada, Native American music opens the doors to a rich social and musical history — even though many of the performers, like Buffy Sainte-Marie and Robbie Robertson, are from the same country as I. And when the music is performed by an artist completely outside the Western realm, someone like Youssou N’Dour, it is practically impossible to separate the perfomer from the culture he or she comes from.
Sometimes musical styles and cultures start to mix. This is when things get interesting. In general, music utilizing a wide range of cultural instruments and styles is called World Fusion or World Beat. Peter Gabriel made World Beat a household term when he founded Real World Records, a label that supports and distributes the work of many World artists. It really doesn’t matter where an artist is from or what his or her background is — if a performer uses different ethnic influences that are obvious in the sound of the finished work, that’s World Music. Inside World Music
Zeb - Sufism
World Music Dictionary Definition
| world music
n.
Music from cultures other than those of Western Europe and English-speaking North America, especially popular music from Latin America, Africa, and Asia.
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The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.
Vas - Astrae
What Is World Music?
ABSTRACT: World Music is the currently popular alternative for terms such as primitive, non-Western, ethnic and folk music. It has come to the forefront by its use in commercial and academic circles. With the growth of worldwide systems of communication and commerce, music librarians will feel increasing demands for materials characterized as world music.
World music means different things to different people, making it difficult to define. One thing is certain–we see more of it coming into our music libraries every day and “we know it when we hear it!”
World music might best be described by what it is not. It is not Western art music, neither is it mainstream Western folk or popular music. World music canbe traditional (folk), popular or even art music, but it must have ethnic or foreign elements. It is simply not our music, it is their music, music which belongs to someone else.
A review of the literature shows that “world music” is a relatively recent term, and one appearing in ever wider contexts. Only since 1989 has the Music Index given a cross reference for the term, one which directs us to see “ethnic music,” “folk music”, and “popular music–styles”. This seems to imply that world music is a large category, which encompasses ethnic music, folk music, and certain popular styles with non-Western elements. The fact that the term only gets a cross-reference suggests that Music Index has not yet fully accepted it as a subject. The Library of Congress Subject Headings do not use the term at all. What, then, is world music? By Carl Rahkonen What Is World Music
Sukhwinder Singh and Sapna Awasthi - Chaiyya Chaiyaa - Dil Se
The term ‘world music’ is outdated and offensive
Its original intention was to help promote non-western musicians. But now it is just putting them in a ghetto• Ian Birrell will be taking part in a Guardian Open Weekend session on Sunday 25 March, discussing music’s global revolutions with Fatoumata Diawara, Ian Anderson, Johan Hugo and DJ Abrantee.
It is 25 years since the concept of world music was created by enthusiasts in a north London pub. Perhaps it made sense then, as a marketing device to promote the sounds of the world that were lost in record shops and on the radio. But not now. Not in this mixed-up, messy and shrunken world. It feels like an outdated and increasingly offensive term.
For a start, it implies cultural superiority. Artists from America and Europe tend not to get stuck in the world section, just those that don’t speak English or come from “exotic” parts of the world. They can be consigned safely to the world music ghetto, ignored by the mainstream and drooled over by those who approach music as an offshoot of anthropology.
Of course, even Fela Kuti made music that owed as much to America as to his native Nigeria. But how does this label make any sense now, when you have western bands such as Tuneyards relying on African grooves while artists such as D’Banj and Buraka Som Sistema destroy the concept with each track they release? Or when you hear samples from all over the world in clubs?
Or indeed, when a very British singer and a bassist from one of America’s biggest rock bands join forces with Fela’s drummer and singers from Mali and Ghana, as on Damon Albarn‘s latest project Rocketjuice and the Moon? This band emerged from Africa Express, an organisation I helped to found seven years ago to break down the ghetto walls. Among those joining Albarn, Flea and Tony Allen on the album is M.anifest, a Ghanaian rapper who lives in Minnesota and often performs with M3nsa, a fellow countryman who lives in north London, with a British teacher as their DJ.
Should this be filed under world music? The Guardian
Musa Dieng Kala - Mawahibou
World Music, The Genre Dear America, you are doing it wrong!
When I read a page from All Music saying ‘Blues is about traditional and personal expression’, I wondered myself. “Oh! Blues is about personal expression too, like Rock”. I know this is funny. And so the definition too. And, I never find it reasonable when I read something like ‘… generally a three chord progression…’
Every country has Classical, Easy Listening, Children, Holiday, Folk and Film Score. For me, the most obscure genre is Bollywood and I never understood it technically.
The genre ‘Ethnic Jazz’ is an American perception of an exotic style. It has doesn’t give a clue about to a non American. The entire system sees music as American and World. The problem is, music doesn’t fit in such clear-cut suites. Its a fun that my recent release is named under different genres on different portals. At least, an artist from West should be able to say what he or she produces. They may abhor saying “I make world music”. Gokul Salvadi
Fun-Da-Mental - Ja Sha Taan (Transglobal Underground Karachi Deathcult Mix)
How to define the broad genre of world music
By Alex Case-Cohen
The month of October brought a cultural twist to Ambient Transience. I dedicated three shows to various factions of “world” music. To me, the term is vague and somewhat offensive; in general, it signifies musical themes from non-western cultures, eliciting sounds distinct from what we would typically hear in the West. World music is infinitely broad; its strange to me that Chinese folk music can be considered in the same genre as African Mbira music, but so is the Western process of definition and categorization. Granted, each show possessed only a small taste of each culturally distinct genre, and it was necessary for me to lump together regions and ethnicities that are completely opposite to each other. I chose an Asian theme for my first show in October; the majority of the music came from Japan with such influential ambient artists as Tetsu Inoue with Ambient Otaku, and Yukari fresh. Some Chinese choices included Monolake, Liu Fang; Chinese ambient draws on traditional Folk music while incorporating contemporary trends in electronic sounds. The following show brought songs from Africa. Again, my two-hour time slot did not allow for an extreme clarification of the various genres existing in the diverse continent. From northern Africa came distinct Islamic influences, for the region is dominated by the religion; Orchestre Du Jardin Du Guinee and Ali Farka Toure exhibit stylistic tendencies out of MENA (Middle East and North Africa). Mbira, out of Nigeria and Kenya, utilizes the finger piano to create distinctive rhythm in the music. Thomas Mapfumo and Toto Bona Lakua are among the many that represent this musical variety. The following week brought music from my favorite region: Latin America. Both Central and South America incorporate a vast array of people, cultures, languages, and musical types. I used indigenous folk songs from Atahualpa Yupanqui with incredible wind instruments, and looked at the Brazilian band Os Mutantes which greatly influenced the American Progressive Rock movement. Another theme I touched on was Nueva Cancion where various musicians produced songs of peaceful protest against the tyrannical regimes of the 1960s and 1970s. Although I’ve never set foot in Asia, Africa or South America, researching the musical genres from these regions has greatly intrigued me. One day, I hope to explore such diverse and interesting regions in order to create my own definition of “World” music. Ambient Transience airs every Thursday from 12-2 a.m. University of Kansas Radio
Keola Beamer - Ku'u Lei Awapuhi
Does Hawaiian Music qualify as World Music?
World Music Party Mix by DJ Mystical Michael
World Music Party Mix - DJ Mystical Michael
What are your favorite artists fro around the globe? Do you fid the term World Music offensive?
DJ Mystical Michael Rhode Island DJ & Boston DJ
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Girls Gone Vinyl: The Untold Story of Female DJs
I came across this important project earlier today and wanted to share it with you in hopes of gaining some support and momentum for the producers. I think Girls Gone Vinyl is something we have needed for a while and hope they can get their message out there to inspire young women to DJ and acknowledge those that have been female DJs for years unnoticed. And I love the name; Girls Gone Vinyl!
Girls Gone Vinyl: The Untold Story of Female DJs
ABOUT THIS PROJECTA film about the true story of female DJs from around the world in a male dominated industry. No one would think that the electronic music industry is in conflict, but the truth is that DJs are more segregated that politicians or business executives. Girls Gone Vinyl is the world’s first documentary about female DJs, their struggles and successes, what inspires them and what drives them in spite of overwhelming odds. Watch these women converge on Detroit for the largest electronic music festival in North America and hear their stories firsthand.
THE PLANPreproduction will begin immediately. Shooting will commence promptly at the start of the Movement Electronic Music Festival in Detroit which takes place May 28 to 30, 2011. To learn more about the festival please visit their site http://www.movement.us/ Out of 107 acts at the festival there are 6 female DJs preforming. We will be interviewing and filming their performances at the festival itself and numerous afterparties taking place during the weekend. We will also be hosting our own all female DJ line up event during the festival on Sunday May 29th.
WHERE DOES YOUR MONEY GO?We’re producing, directing, shooting, and editing the film. By day, Jenny Lafemme is a video and film producer for Parliament Studios, who will handle film production and post-production. Funding for this project goes toward flight costs for DJs to interview, travel for shooting, camera equipment needed to produce beautiful footage, and marketing and PR costs. The movie will be shot digitally to reduce cost and speed up production. All people working on the film will be donating their time and talent to bring this story to life.
Please share and pass on the news of the Girls Gone Vinyl: The Untold Story of Female DJs project. I have always hired and promoted female DJs for my business as a Rhode Island DJ but know that I am in the minority. I have trained several women to become female DJs and find they are often better students and more serious about their work then young men who seem more interested in image ands sex than substance and skills.
Girls Gone Vinyl: The Untold Story of Female DJs TrailerFor the record, it was really hard to find images of female DJs that are not selling sex versus talent, very disturbing, but not surprising! DJ Mystical Michael Rhode Island DJ & Boston DJ Ask about my Rhode Island Wedding DJ & Rhode Island Party DJ Guarantee! |
Rhode Island Multicultural DJ
How did I become a Rhode Island Multicultural DJ? Being raised in the New Jersey/New York City area, I was put in many situations that forced me to recognize that not everybody or every family lived life the way I did. I can remember walking down the streets of Manhattan as an adolescent and being amazed that it felt like there was a representative from every country in the world also walking down the same streets as me. Of course, this was not true but It helped me understand that the world was made of all kinds of different and similar people. This is how I eventually became a Rhode Island Multicultural DJ.
Your Rhode Island Multicultural DJ
I am very grateful for the diverse Multicultural Weddings and Multicultural Parties that I get the opportunity to provide Music, DJ and MC services for. I assume that Brides, Grooms and Party Planners embrace finding a Multicultural Wedding and Party DJ,knowing that I have extensive experience with creating outstanding Weddings, Parties and Events with people from diverse races, culture and religions.
Rhode Island Multicultural DJ Story
A significant part of the story on how I became a Multicultural DJ is still not told. Along with being a Rhode Island DJ, I have been a social worker and counselor since 1993. I have had the opportunity to work with people from all over the world, The United States and a diverse a mix of race, culture, class, gender and religion, as well as socio-economic class as one can imagine. I love it! I learn from you as much as you learn from me.
Rhode Island Multicultural DJ and Multiculturalism
Multiculturalism relates to communities containing multiple cultures. The term is used in two broad ways, either descriptively or normatively. As a descriptive term, it usually refers to the simple fact of cultural diversity: it is generally applied to the demographic make-up of a specific place, sometime at the organizational level, e.g. schools, businesses, neighborhoods, cities, or nations.
As a normative term, it refers to ideologies or policies that promote this diversity or its institutionalization; in this sense, multiculturalism is a society “at ease with the rich tapestry of human life and the desire amongst people to express their own identity in the manner they see fit.” Such ideologies or policies vary widely, including country to country, ranging from the advocacy of equal respect to the various cultures in a society, to a policy of promoting the maintenance of cultural diversity, to policies in which people of various ethnic and religious groups are addressed by the authorities as defined by the group they belong to. However, two main different and seemingly inconsistent strategies have developed through different Government policies and strategies: The first focuses on interaction and communication between different cultures. Interactions of cultures provide opportunities for the cultural differences to communicate and interact to create multiculturalism. This approach is also often known as interculturalism. The second centers on diversity and cultural uniqueness. Cultural isolation can protect the uniqueness of the local culture of a nation or area and also contribute to global cultural diversity. A common aspect of many policies following the second approach is that they avoid presenting any specific ethnic, religious, or cultural community values as central.
Multiculturalism is often contrasted with the concepts of assimilationism and has been described as a “salad bowl” or “cultural mosaic” rather than a “melting pot” Wikipedia
If you are looking for a really fun Rhode Island Multicultural DJ, I can help.
DJ Mystical Michael Rhode Island DJ & Boston DJ
Ask about my Rhode Island Wedding DJ & Rhode Island Party DJ Guarantee!
Fun 50th Birthday Party with Fun Rhode Island DJ
Last weekend I had a really fun 50th Birthday Party in Newark New Jersey at Iberia Restaurant. It was actually at Iberia Peninsula Restaurant across the street.
“Requiring more room to accommodate the crowds that flock to their sister restaurant, Iberia, the owners have realized their dream of building a palatial Portuguese / Spanish restaurant.
Iberia Peninsula is one of the most spectacular restaurants ever to be constructed in New Jersey. Cathedral ceilings, stainless steel topped bar stretching as far as the eye can see, brick, marble, and large barbeque pits make up this enormous restaurant. There are two large dining rooms. Both above and below the main restaurant are several beautifully decorated rooms of varying sizes for private parties.”
Fun 50th Birthday Party with Fun Rhode Island DJ
It is not often that I get the opportunity to provide Music, DJ & MC services for a Rutgers Professor who is also an Interfaith Minister. In this case, she is actually an even better person than her professional accomplishments. I can see why anybody would want Reverend Dámaris M. Otero-Torres to facilitate their special moments and life’s Blessings. her site, Epiphanies of the Heart, states her perspective;
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“Life is a river of unlimited opportunities that invite us to explore the depths of joy, gratitude, beauty, love, intimacy and purpose. Whether you are blessing the arrival of a new life, initiating the journey of marriage, renewing your wedding vows, or honoring the memory of a loved one, your ceremony is crafted with utmost care and reverence to crystallize that special moment in memories that will last for a lifetime.” |
Damaris is a special woman, as is her husband Paul. I am so grateful to have been part of their wonderful night of celebration with more than one hundred friends and family eating, singing, talking and most of all, dancing! They wet a mixed crowd form New Jersey and NYC and represented many demographics and cultures collectively. Along with being really fun and caring people at the 50th Birthday Party, I always cherish being a Multicultural DJ. It is one of the things I do best as a Rhode Island DJ; mixing music and cultures seamlessly with respect and inclusion. At this 50th Birthday Party, there was a musical focus on Vocal Classics, 80’s Dance Music and lots of Salsa and Merengue. Her mother wanted a few Waltzes mixed in that she danced like a trained professional! They were beautiful to watch.
I always feel funny when I write this, but I love my job as a DJ of events like Weddings, Sweet Sixteens, Graduations and of course, Damaris 50th Birthday Party. I am grateful that I have the skills and training to excel as a DJ to offer my services for others. This is one of the reasons I offer a guarantee.
DJ Mystical Michael Rhode Island DJ & Boston DJ
973.908.8147