This gallery contains 9 photos.
DJ Mystical Michael Rhode Island DJ & Boston DJ
This gallery contains 9 photos.
DJ Mystical Michael Rhode Island DJ & Boston DJ
I hate to admit it but I am a bit of a techno geek. I am not sure why it bothers me so much to accept this but I resist it like my life depended on it. Few things get me as excited as opening a box of some new gadget or piece of electronic equipment. As a Rhode Island DJ and Boston DJ, it is not OK to have mediocre equipment. It was time to upgrade to a faster and more powerful Mac. I will still use the same djay Software that I love. Of course, my BOSE L1 System with Bass I adore and will not switch till they come out with something better.
Allowing you to mix your iTunes music library on a hyper-realistic turntable interface. Perform live, record mixes on-the-go, or enable Automix mode and let djay mix your favorite playlist automatically. With unprecedented ease-of-use and innovative features likeHarmonic Match, djay for Mac takes DJing to the next level andoffers a unique experience for beginners and professionals alike.
Spend less time setting up your gear and more time enjoying it. The new L1 Model 1S portable line array system delivers a potent combination of portability and performance. It’s compact and light enough to make setup quick and easy, yet powerful enough to fill a mid-sized venue. This system works well for solo musicians, bands and public speakers. Includes one B1 bass module for enhanced low-end performance.
The vertical configuration of the system’s small, closely spaced drivers allows the L1 Model 1S system to project sound forward and to the sides—delivering 180-degree coverage—but very little up and down, reducing unwanted reverberation. This produces consistent tonal balance as sound spreads more evenly across the stage and into the audience, and the volume level drops off much more slowly than with a conventional speaker.
Unique Bose® technologies enable the system to serve as both PA and monitor. It can be positioned behind or to the side of the performer—and you hear just what the audience hears. You’re in control, and there’s no need for conventional monitors, mixers and PA systems.
The three components of the L1 Model 1S system—upper array, lower extension and power stand—connect quickly and easily without the need for separate speaker stands. Setup and breakdown take just minutes. And everything stores neatly into the included carry bags, making transport easy, too.
The B1 bass module is our more portable bass option. It is considerably lighter and smaller than conventional bass bins required for the same performance. And it ensures more accurate amplification of lower notes for most voices and instruments.
With the L1 Model 1S system you can add a second B1 module or power one B2 bass module for more flexibility and even greater power.
The optional T1 ToneMatch audio engine adds four more channels, so you can expand the system and connect additional instruments and microphones. You can also use the ToneMatch engine to fine-tune your sound with powerful, proprietary tone-shaping tools.
Spatial Dispersion™ and Articulated Array® speaker technologies in the loudspeaker produce wide, uniform sound coverage. The 12 small drivers are arranged using Articulated Array speaker technology in a slim, vertical enclosure—creating nearly 180 degrees of horizontal coverage and consistent tonal balance.
Integrated power amplifiers in the power stand provide clean, precise amplification for L1 Model 1S system with up to two B1 bass modules or one B2 bass module.
Time get back to playing with my new toy!
DJ Mystical Michael Rhode Island DJ & Boston DJ
Rank | Artist | Song |
1 | Journey | Don’t Stop Believin’ |
2 | Black Eyed Peas | I Gotta Feeling |
3 | Lmfao Feat. Lauren Bennett And Goon Rock | Party Rock Anthem |
4 | Lmfao | Sexy And I Know It |
5 | Cupid | Cupid Shuffle |
6 | AC/DC | You Shook Me All Night Long |
7 | Diamond, Neil | Sweet Caroline (Good Times Never Seemed So Good) |
8 | Bon Jovi | Livin’ On A Prayer |
9 | Maroon 5 Feat. Christina Aguilera | Moves Like Jagger |
10 | Morrison, Van | Brown Eyed Girl |
11 | Beyonce | Single Ladies (Put A Ring On It) |
12 | DJ Casper | Cha Cha Slide |
13 | B-52’s | Love Shack |
14 | Rihanna Feat. Calvin Harris | We Found Love |
15 | Pitbull Feat. Ne-Yo, Afrojack & Nayer | Give Me Everything |
16 | Def Leppard | Pour Some Sugar On Me |
17 | Jackson, Michael | Billie Jean |
18 | Lady Gaga Feat. Colby O’donis | Just Dance |
19 | Pink | Raise Your Glass |
20 | Beatles | Twist And Shout |
21 | Cruz, Taio | Dynamite |
22 | Lynyrd Skynyrd | Sweet Home Alabama |
23 | Jepsen, Carly Rae | Call Me Maybe |
24 | Sir Mix-A-Lot | Baby Got Back |
25 | Usher Feat. Ludacris & Lil’ Jon | Yeah |
26 | Outkast | Hey Ya! |
27 | Isley Brothers | Shout |
28 | Clapton, Eric | Wonderful Tonight |
29 | Brooks, Garth | Friends In Low Places |
30 | Sister Sledge | We Are Family |
31 | Train | Marry Me |
32 | Kool & The Gang | Celebration |
33 | Sinatra, Frank | The Way You Look Tonight |
34 | Temptations | My Girl |
35 | ABBA | Dancing Queen |
36 | Loggins, Kenny | Footloose |
37 | Flo Rida | Good Feeling |
38 | Perry, Katy | Firework |
39 | Houston, Whitney | I Wanna Dance With Somebody (Who Loves Me) |
40 | Jackson, Michael | Thriller |
41 | James, Etta | At Last |
42 | Timberlake, Justin | Sexyback |
43 | Seger, Bob & The Silver Bullet Band | Old Time Rock & Roll |
44 | Lopez, Jennifer Feat. Pitbull | On The Floor |
45 | Vanilla Ice | Ice Ice Baby |
46 | Usher Feat. Will.I.Am | Omg |
47 | Brown, Chris | Forever |
48 | Minaj, Nicki | Starships |
49 | Mars, Bruno | Just The Way You Are |
50 | Flo Rida Feat. Sia | Wild Ones |
51 | Lmfao Feat. Lil Jon | Shots |
52 | Jackson, Michael | Don’t Stop ‘Til You Get Enough |
53 | Jackson, Michael | P.Y.T. (Pretty Young Thing) |
54 | Rihanna | Don’t Stop The Music |
55 | Presley, Elvis | Can’t Help Falling In Love |
56 | Foundations | Build Me Up Buttercup |
57 | Flo Rida Feat. David Guetta | Club Can’t Handle Me |
58 | Commodores | Brick House |
59 | Armstrong, Louis | What A Wonderful World |
60 | Fun. Feat. Janelle Monae | We Are Young |
61 | Wild Cherry | Play That Funky Music |
62 | V.I.C. | Wobble |
63 | Lady Gaga | Poker Face |
64 | Mraz, Jason | I’m Yours |
65 | Brown Band, Zac | Chicken Fried |
66 | Bee Gees | Stayin’ Alive |
67 | Minaj, Nicki | Super Bass |
68 | Village People | Y.M.C.A. |
69 | Flo Rida Feat. T-Pain | Low |
70 | Righteous Brothers | Unchained Melody |
71 | Big & Rich | Save A Horse (Ride A Cowboy) |
72 | Mars, Bruno | Marry You |
73 | House Of Pain | Jump Around |
74 | Adams, Bryan | Summer Of ’69 |
75 | Black Eyed Peas | Boom Boom Pow |
76 | Jackson, Michael | The Way You Make Me Feel |
77 | Griffiths, Marcia | Electric Boogie (Electric Slide) |
78 | Lauper, Cyndi | Girls Just Want To Have Fun |
79 | Aerosmith | I Don’t Want To Miss A Thing |
80 | One Direction | What Makes You Beautiful |
81 | Rednex | Cotton Eye Joe |
82 | Wanted | Glad You Came |
83 | Earth, Wind & Fire | September |
84 | Rihanna | Only Girl (In The World) |
85 | Black Eyed Peas | Let’s Get It Started |
86 | Black Eyed Peas | The Time (Dirty Bit) |
87 | Dexy’s Midnight Runners | Come On Eileen |
88 | Shelton, Blake | God Gave Me You |
89 | Adele | Rolling In The Deep |
90 | California Swag District | Teach Me How To Dougie |
91 | Lonestar | Amazed |
92 | Mraz, Jason & Colbie Caillat | Lucky |
93 | Bryan, Luke | Country Girl (Shake It For Me) |
94 | Rascal Flatts | Bless The Broken Road |
95 | Queen | Crazy Little Thing Called Love |
96 | Cyrus, Miley | Party In The U.S.A. |
97 | Buble, Michael | Everything |
98 | Harris, Calvin | Feel So Close |
99 | Salt-N-Pepa | Push It |
100 | Jackson, Michael | Beat It |
101 | Springfield, Rick | Jessie’s Girl |
102 | Journey | Faithfully |
103 | Jordan, Montell | This Is How We Do It |
104 | Johnson, Jack | Better Together |
105 | Far East Movement Feat. The Cataracs & Dev | Like A G6 |
106 | Young M.C. | Bust A Move |
107 | Usher | DJ Got Us Fallin’ In Love |
108 | Medley, Bill & Jennifer Warnes | (I’ve Had) The Time Of My Life |
109 | Checker, Chubby | The Twist |
110 | Guns N’ Roses | Sweet Child O’ Mine |
111 | Green, Al | Let’s Stay Together |
112 | Sugarland | Stuck Like Glue |
113 | Lady Gaga | Bad Romance |
114 | Green, Cee Lo | Forget You |
115 | Brown, Chris | Yeah 3x |
116 | Ke$Ha | Tik Tok |
117 | Keith, Toby | Red Solo Cup |
118 | Hammer, M.C. | U Can’t Touch This |
119 | Nelly | Hot In Herre |
120 | Thompson Square | Are You Gonna Kiss Me Or Not |
121 | Madonna | Like A Prayer |
122 | Brooks & Dunn | Boot Scootin’ Boogie |
123 | Taylor, James | How Sweet It Is (To Be Loved By You) |
124 | Beyonce Feat. Jay-Z | Crazy In Love |
125 | Pitbull Feat. Chris Brown | International Love |
126 | Four Tops | I Can’t Help Myself (Sugar Pie, Honey Bunch) |
127 | Kid Rock | All Summer Long |
128 | Adele | Make You Feel My Love |
129 | Los Del Rio | Macarena |
130 | Lady Gaga | Born This Way |
131 | 50 Cent | In Da Club |
132 | Paisley, Brad | She’s Everything |
133 | Jay-Z Feat. Alicia Keys | Empire State Of Mind |
134 | Flo Rida Feat. Keisha | Right Round |
135 | Foster The People | Pumped Up Kicks |
136 | Sinatra, Frank | Fly Me To The Moon |
137 | Buble, Michael | Save The Last Dance For Me |
138 | Perry, Katy | Last Friday Night (T.G.I.F.) |
139 | Guetta, David Feat. Usher | Without You |
140 | King, Ben E. | Stand By Me |
141 | Trey Songz Feat. Nicki Minaj | Bottoms Up |
142 | Jackson 5 | ABC |
143 | Shelton, Blake | Honey Bee |
144 | Romantics | What I Like About You |
145 | Rihanna | Where Have You Been |
146 | Mcgraw, Tim With Faith Hill | It’s Your Love |
147 | Rascal Flatts | My Wish |
148 | KC & The Sunshine Band | Get Down Tonight |
149 | Kings Of Leon | Sex On Fire |
150 | Jones, Norah | Come Away With Me |
151 | Mraz, Jason | I Won’t Give Up |
152 | Prince | Kiss |
153 | Beatles | All You Need Is Love |
154 | K-Ci & Jojo | All My Life |
155 | Cobra Starship Feat. Sabi | You Make Me Feel… |
156 | Paisley, Brad | Then |
157 | Pink | Get The Party Started |
158 | Psy | Gangnam Style |
159 | Adams, Bryan | (Everything I Do) I Do It For You |
160 | Ke$Ha | Blow |
161 | West, Kanye Feat. Jamie Foxx | Gold Digger |
162 | Daft Punk | One More Time |
163 | Franklin, Aretha | Respect |
164 | Lady Antebellum | Just A Kiss |
165 | Cheap Trick | I Want You To Want Me |
166 | Gaye, Marvin | Let’s Get It On |
167 | Lady Gaga | The Edge Of Glory |
168 | Mcgraw, Tim | My Best Friend |
169 | Cascada | Evacuate The Dancefloor |
170 | Train | Hey Soul Sister |
171 | Smith, Will | Gettin’ Jiggy Wit It |
172 | UB40 | Red Red Wine |
173 | U2 | Beautiful Day |
174 | Rascal Flatts | Life Is A Highway |
175 | Guetta, David Feat. Akon | Sexy Chick |
176 | Franti, Michael & Spearhead | Say Hey (I Love You) |
177 | Sinatra, Frank | Come Fly With Me |
178 | Iglesias, Enrique Feat. Pitbull | I Like It |
179 | Travolta, John & Olivia Newton-John | Grease Megamix |
180 | A-Ha | Take On Me |
181 | Cash, Johnny | Ring Of Fire |
182 | Guetta, David Feat. Flo Rida & Nicki Minaj | Where Them Girls At |
183 | Aerosmith | Walk This Way |
184 | Idol, Billy | White Wedding |
185 | Perry, Katy | Teenage Dream |
186 | Sorta Crackers Band | Chicken Dance |
187 | Temptations | Ain’t Too Proud To Beg |
188 | Queen | Another One Bites The Dust |
189 | Buffett, Jimmy | Margaritaville |
190 | Flo Rida | Whistle |
191 | Usher | Scream |
192 | Checker, Chubby | Let’s Twist Again |
193 | Gaynor, Gloria | I Will Survive |
194 | Eagles | Hotel California |
195 | Sledge, Percy | When A Man Loves A Woman |
196 | Lifehouse | You And Me |
197 | Digital Underground | The Humpty Dance |
198 | Big & Rich | Lost In This Moment |
199 | Dion | Runaround Sue |
200 | Swift, Taylor | Love Story
|
Although I do receive many requests for Journey “Don’t Stop Believin'”, it is not the song I get most requested song for this past year. For me, I think LMFAO “Sexy And I kow It” has probably been the most DJ requested song. It still bafflers me that all these years later, Neil Diamond “Sweet Caroline (Good Times Never Seemed So Good)” is popular, requested by young people and is considered a party song. In its day, it was a pop ballad that was more of a song that Folk Music and songwriters would listen to than a fun, party song. It was something that my parents loved and all of us kids thought was too ‘uncool’ to listen to. Elvis Presley “Can’t Help Falling In Love” is one of the most requested songs from young and old. I am surprised it is number 55. Same with Louis Armstrong at number 59 with “What A Wonderful World”, which is a very highly requested song. I think it would be interesting to see a list of the most requested songs from 2012 of the New Jersey, New York and Pennsylvania area as a social and cultural comparison.
Which did you think would be in a different position on the list of Top 200 Most Requested Songs of 2012? |
With a budget of only £1,500 borrowed from Stewart Copeland’s brother Miles Copeland III, The Police started recording their debut album at Surrey Sound Studios, Surrey, England with producer Nigel Gray. The album ‘Outlandos d’Amour’ which was released in November of this year featured the hits ‘So Lonely’, ‘Roxanne’ and ‘Can’t Stand Losing You’.
The Police originally formed due to a lack of success to the previous formation with Henry Padovani as guitarist. The second formation included Andy Summers, formerly of Eric Burden & The Animals. They toured as a four-piece band before they determined that Padovani was not wanted as guitarist, in favor of a three-piece ensemble. In the post-Punk, Progressive Rock era, a three piece band was not common. This was a big risk for The Police.
They started with the now-famous bleach-blond hair when they were hired for a TV commercial that never aired needing them to be blonde. They decided after positive response from audiences to remain blonde.
Sting (Gordon Sumner), was initially a Jazz and Rock bassist, was not able to contribute to the writing early on due to his lack of knowledge of Punk Rock Music. Stewart Copeland was left to the songwriting duties in the beginning.
“The band has won a number of music awards throughout their career, including six Grammy Awards, two Brit Awards—winning Best British Group once, an MTV Video Music Award, and in 2003, were inducted into the Rock and Roll Hall of Fame. The Police have sold more than 50 million albums worldwide, and were the world’s highest-earning musicians in 2008, thanks to their reunion tour.” Wikipedia
“Although they existed for just over six years, the band’s contribution to the lexicon of rock was immense. They were the first band to fully integrate the no-nonsense approach of punk rock and the spirit-moving positive energy of reggae. Having sold an excess of 50 million albums worldwide, The Police had phenomenal chart success and won a multitude of accolades both public and critical, but they never allowed such peripherals to overshadow their commitment to the music itself. The band’s history bears that out from the beginning to end, providing a clear, concise picture of a musical group that took us on a short but unforgettable trip through the inner reaches of its soul – and let us have a great time in the process.” ThePolice.com
“Hey DJ, Only Play Good Music!”
I hear this statement all the time. It is actually kind of funny really. My response changes depending on mood, situation, individual and circumstances. The truth is that there is no such thing as ‘good music’ or ‘bad music’. Music quality generally is a subjective determination. While one person thinks Kenny Chesney is the best, the next may hate Country Music and think he sounds awful. The next guy may be a total fan of The Ramones but someone who thinks Punk Rock is just loud noise will surely not think The Ramones are ‘good music’ would they? The young woman who adores Michael Buble will not necessarily find agreement from listeners of R&B, Rap or Hip Hop would they? Certainly, very few Classical or Baroque Music collectors will run out to buy the new Ke$ha record the day it hits the stores. How many Jazz Musicians do you think find Usher or Rihanna ‘good musicians’? I think you get the point. I won’t bore you any further with continuing this list of potential music genre contradictions. It does not matter what genre or style we are talking about; Disco, Soul, Reggae, Reggaeton, Pop, Oldies, Motown, Classic Rock, House, Trance, Trip Hop, Merengue, Bachata, Soca, Bollywood, African, K-Pop, J-Pop or anything else. Somebody loves it and somebody hates it.
So, what is good music?
Simple. Good music is music that you like. It rarely has anything to do with quality, technical ability or how well the songs are written. Most of the time it is what you like and nothing more or less. This is not a bad thing or a good thing, just what is. I realize some people may get offended by this but I believe it is true. Here is an example of an experience I had about a decade ago.
Me and some guys were sitting around talking one day. A guy I had just met shared that he was a guitarist and music was his life. I immediately sat-up wanting to join the conversation, since obviously I love music and it too is a significant part of my life.
“What kind of guitarist are you and what genre do you play” I asked.
“I am a Blues guitarist and I play Blues and Rock Music.”
“Cool. Who are your influences?”
“Eric Clapton is why I became a guitarist at age fifteen and why I still play today.”
“Wow. I too like Eric Clapton. But what specifically inspired you about him that got you to pick-up the guitar?”
“I think he is the best guitarist that ever lived. That is why I started playing guitar.”
“The greatest guitarist that ever lived? That is a bold statement.” I paused before proceeding, “Were you able to play Eric Clapton when you were in high school?’
“Yes, it didn’t take me too long, since I have listened to him from childhood.”
“Did any of your friends play Clapton in high school as well?”
“Yeah, we were all musicians and loved Clapton. We all played his stuff to a T.”
“If all of you could play his stuff to a T in high school, how can he be the greatest guitarist that ever lived?”
“What do you mean?”
“If he was the greatest guitarist that ever lived, no one would be able to play his stuff and certainly not a bunch of high school students. Right?”
“I never thought about it that way.” He thought for a second, “Humm. I guess that makes sense.”
Our conversation went on for a while longer with others joining in and adding their two cents. Again, I think you get the point. I think this is a perfect illustration of musical tastes are predominantly subjective and that is fine. The problem arises when people tell other people their musical taste is “good” or “bad” since so few of us are trained enough in music to know the difference between the ultra-talented and those who can hold a note and play basic chords. Again, this is totally fine. There is nothing wrong with having your own taste in music or any form of artistic expression for that matter. We all need to respect each others musical taste just like every thing else. There is plenty of music I love that is just fun, with little musical skill or talent. Fun music has its place and is an art form of its own and needed. There is also lots of dance music I enjoy just to dance to that I would never listen to at home or in the car. Does that make it ‘bad music’?
I invite you to hesitate for a moment before you yell at the professional DJ at a Wedding, Party or Event, “Hey DJ, play some good music for a change”. It is possible he is playing ‘good music’, just not what you think is ‘good music’. In fact, it may even be that eighty percent of the people at the Wedding or Party love the music he or she are playing already. In addition, it is also possible that they too do not like the music they are playing and just doing an excellent job as a professional DJ of meeting the needs of the Bride, Groom or Party Planner that hired them. Generally speaking, only DJs under the age of twenty-five or twenty-seven play music they like exclusively. Most good, professional adult DJs play music that they are hired to play, not what they want to hear. I listen to the music I like on the way to the Wedding, Party or Event, on my way home or when I get home. Your money is not for me to hear my music at your event, but your music at your event. This is one of the primary differences between a good professional DJ, and an amateur DJ who is doing it just for fun, popularity, sex or to be cool.
Do you agree that musical taste is mostly subjective? Is there something that qualifies as ‘good music’ regardless of the listener’s personal taste?
It was on this date in 1994 that the Frankie Valli & The Four Seasons song, “December, 1963(Oh What A Night) re-entered the Billboard Hot 100 Music Charts for a second run. It was originally released in 1976 when it charted as high as number one on Billboard’s Hot 100. each time the song stayed on the charts for twenty-seven weeks, totaling fifty-two weeks. Fifty-two weeks was the record at the time for the longest stay on Billboard Hot 100. The remastered version, which peaked at number fourteen was remixed by Dutch deejay and producer Ben Liebrand.
As a New Jersey native, Frankie Valli & The Four Seasons are part of my childhood and musical history. They grew-up in the same neighborhood in Newark, NJ as my Mother did. She, her sister and my Grandmother all knew the original members of the band, The Four Lovers, which became Frankie Valli & The Four Seasons . Of course, there have been many folk tales about Frankie Valli & The Four Seasons in my family that I have no idea if are even remotely true:)
The Vocal Group Hall of Fame has stated that Frankie Valli & The Four Seasons group was the most popular rock band before The Beatles. The Four Seasons (group members 1960–1966) were inducted into the Rock and Roll Hall of Fame in 1990, and it joined the Vocal Group Hall of Fame in 1999. Frankie Valli & The Four Seasons are one of the greatest selling vocal groups of all-time selling over 175 million records worldwide! Frankie Valli & The Four Seasons have five number one and three number three hits on The Billboard Hot 100 charts.
Jersey Boys, a musical play based on the lives of Frankie Valli & The Four Seasons and directed by Des McAnuff, premiered at his La Jolla Playhouse and opened on November 6, 2005, to generally positive reviews and subsequently won multiple Tony Awards after its move to Broadway.
DJ Mystical Michael Rhode Island DJ & Boston DJ
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Tonight I had the opportunity to enjoy a dance performance by The Everett Company Stage School in Providence, Rhode Island, A Hip Hop Holiday. It was fun seeing local youth dance with such passion, commitment and purpose. Unfortunately, the media often portrays Hip Hop Culture as something bad and violent. Those who know better, are aware of the historical roots of Hip Hop as a Social Movement.
“By 1989, hip-hop had long since graduated from its humble, thrilling origins as innovative party music in the Bronx in the late 1970s. Hip-hop had become a movement, a collective platform for African-American youth to voice frustration and inspiration alike. It had spread through inner cities and as far as suburbia, but was still seen as a sort of underground and lacked the big pop stars and cash flow of genres like R&B or rock.” (Dead Prez)
For me, it was a means of those who needed a voice to find one and speak their minds through music, verse and poetry. It was possibly the next wave of social movement after the Sixties.
Time, money and the record industry have shifted a significant majority of the popular mainstream Hip Hop artists message and style to meet the needs of White, suburban culture. Hip Hop often does not resemble the sound and voice of its humble beginnings as social movement for change.
Fortunately, there are many excellent dance schools like Everett that are keeping it alive and sharing it with youth of all shapes, colors and sizes. The dancers echo the deep commitment of their Creative Director, Sokeo Ros
It was a pleasure to support such a valuable piece of dance, education and culture for talented youth!
ZZ Top is a unique Rock Band that has strangely had three ‘separate” careers as a group. There were the early years as a touring Texas blues and boogie band that had success in the Rock genre nationally. Then they had massive success as a pop band in the late 70’s and 80’s with hits like ZZ Top Legs and finally returning back to their roots again later. Their mainstream success was so fast and unexpected it surprised the music industry at the time. I listened to ZZ Top from the early days and when they changed their style and became pop stars, I had mixed feelings but loved playing their songs as a professional DJ, especially ZZ Top Legs!
“By the mid-1970s, they were among the most popular touring acts in the United States and broke various concert attendance feats. After years of touring, the band went on a two-year break in 1977, which resulted in Gibbons and Hill growing chest-length beards.
Although they returned in 1979 and the band signed a new deal with Warner Bros Records (taking the rights to their London recordings with them), it was not until the band released 1983’s Eliminator that they reached a new height in popularity, selling over 10 million copies. Throughout the late 1980s, the band made several hits and won several awards for music videos like “Legs” and “Sharp Dressed Man“. After over 40 years of performing with the same members, the band continues to tour and record music.”
Their videos in the 80’s were fun, sexy and a demonstration of how music videos were shaping the music industry. The trio of hits, ZZ Top Legs, “Sharp Dressed Man” and “Gimme All Your Lovin” all utilized the red car, the three women, synthesized beats and the band members as ‘angels’ in the videos that commanded major success internationally. The guys were as popular for their beards as their music.
Songwriter Richie Cordell wrote (or co-wrote) and produced many of the group’s hits, among them the classic good-timing “I Think We’re Alone Now”, “Mirage”, and Tommy James and The Shondells Mony, Mony. The creation of Tommy James and The Shondells Mony, Mony was a group effort, involving Cordell, James, Shondells band member Peter Lucia, producer Bo Gentry, and Bobby Bloom. James and Cordell set out to create a party rock single working out everything except the song’s title, which eluded them even after much effort. They took a break from their creative endeavors on James’ apartment terrace, when they looked up at the Mutual Of New York Insurance Company’s large neon sign bearing the abbreviation for the company: M-O-N-Y. Both knew instantaneously their song now had a name for Tommy James and The Shondells Mony, Mony.
Tommy James and the Shondells Mony Mony produced a video when the song was a hit, hiring a video company to produce a short film of it. Even though a number of musical groups had already produced videos by that time, there was no market at all for that film in the US. Television stations would not air it, and it was originally shown between double features in movie theaters in Europe. The film was not seen in the US until the creation of MTV.
In recent years, the Billy Idol version has become the most played and popular version of Tommy James and The Shondells Mony, Mony. I still like the original and think Tommy James has not gotten enough credit for the list of pop songs that have covered into great dance songs these days that any good professional DJ keeps close by:
Mony Mony
I Think We’re Alone Now
Crimson and Clover
Hanky Panky
Sweet Cherry Wine
Crystal Blue Persuasion
With “Mony Mony” becoming such a hit in the US and an even bigger one in the UK, James was contacted by George Harrison of The Beatles, who was working with a group called Grapefruit at the time. Harrison and the group had written some songs they wanted James to consider recording. Since the group came to a decision to change their musical style (and would do so with “Crimson and Clover”: see below) and the material Harrison and Grapefruit provided was in the style of Tommy James and The Shondells Mony, Mony, James turned down their offer.
The music business changed after the success of Tommy James and The Shondells Mony, Mony. Top 40 program formatting, based on 45 RPM single records, drove popular music on the radio. Few stations played cuts from record albums, so radio was, in effect, “selling” single records for the record companies.
James estimates the company owed him $30 million in royalties he never received.
I couldn’t resist adding the link to “I Think We’re Alone Now” as well! Another professional DJ favorite.
Recently I had a young couple ask me if I would play Dropkick Murphys I’m Shipping Up To Boston and I had to think for a minute to recall what song they were talking about. I had a vague memory in my head and listened to Dropkick Murphys I’m Shipping Up To Boston later to verify what they were talking about. Immediately I was all pumped up when my mind kicked into gear and saw the scene from the film The Departed and Dropkick Murphys I’m Shipping Up To Boston was so forceful and stayed in my head weeks later. What a way to bring out your friends and family! It is not for everybody but for a couple with a bit of an edge and willingness to take a risk, Dropkick Murphys I’m Shipping Up To Boston is totally a fun way to come out and join the rest of the Wedding Reception. I can’t wait till I get to play it for them in a couple of weeks. Of course now I can’t get the song out of my head again. This is the original version which is a bit harder than the movie version.
A fun aspect for me as a professional Wedding DJ in the process of planning the wedding with a Bride and Groom is picking their The Bridal Party Introduction Songs or First Dance songs. Although many choose the more expected route of Beyonce, Usher and other popular hits and classics, there are many who choose to go a much different direction. Recently this list has included some interesting covers of pop hits like the The Muse version of Can’t Take My Eyes Off You or The Flaming Lips Borderline. They made great First Dances with the mixing of slower and faster, hard tempo and energy. But Dropkick Murphys I’m Shipping Up To Boston as a Bridal Party Introduction Song?